Walter O'Brien Quotes
When I was 13, I thought I was pretty hot stuff because I knew BASIC programming, self-taught on the family's Commodore 64. One of my crowning accomplishments was writing a silly little program that showed a crudely-drawn Space Shuttle lifting off in a cloud of pixelated smoke.
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Quotes to Explore
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After leaving school, I travelled around Europe for about six months. In Denmark, I thought that was my chance to get an amazing haircut, so I went to what I thought was a great hairdresser. It turned out to be the car wash of hairdressers, and I walked out sporting yet another pudding bowl, but this time with a stripe bleached down the centre.
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As soon as one project is finished I like to go straight on to something else.
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The scene that has raised the most objections in 'The Interview' is at the very end, when Kim's head dissolves into flames. To me, it feels gratuitous.
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I'm working on my new album right now. Hopefully to get that out at the top of 2005, January 2005.
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Any competent actor could have done what I did.
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There's a generative material relationship between the material and the image that comes up.
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The West has become the world model; developing countries are dreaming of living like us, which is impossible. They should reject our model, because it is not sustainable. Developing countries should even give us the example, but unfortunately that's not what happens.
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At the end of the day, you can't have a vision; you have to have a hope. This is where the miracle comes in.
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When I was a very young lawyer, I had a senior partner who advised me never to get mad, except on purpose.
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I don't think any media has to feel obliged to show the cover of 'Charlie Hebdo.'
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Newspapers are busily experimenting with different models. Traditionally, and I suspect in hindsight very mistakenly, online news was free. And once given free access readers felt it was their entitlement.
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How extraordinary it is that one feels most guilt about the sins one is unable to commit.
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The Gorillaz cartoons seem more real to me than the actual people on TV. Because at least you know that there's some intelligence behind the cartoons, and there's a lot of work that's gone into it, so it can't all be just a lie.
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Folks like me have to feel a little indebted to the communities that they came from. And if they do, I think we'll start to see a little bit more of a geographic integration in the country because people will start to think, 'You know what? I owe that place something, and I should return to it in one form or another.'
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Conflict is very much a state of mind. If you're not in that state of mind, it doesn't bother you.
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You leave old habits behind by starting out with the thought, 'I release the need for this in my life'.
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I'm trying to be a singer, not a civil rights leader.
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My workouts include aerobic exercise for a healthy cardiovascular system; strength training to maintain muscle tone and bone density; core strength exercise for a stable mid-section; and stretching to maintain mobility.
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You can't get there alone. People have to help you, and I do believe in karma. I believe in paybacks. You get people to help you by telling the truth, by being earnest.
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If someone asked me to do something I didn't want to do or didn't think was right, I wouldn't do it.
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Modeling gave me an opportunity to be someone I'm not each day.
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I just want to be master of my own time. It is ironic that someone in the watch business should not be in control of his time.
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One of the things about writing fiction is that you create people that you feel, more or less, as though you know.
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When I was 13, I thought I was pretty hot stuff because I knew BASIC programming, self-taught on the family's Commodore 64. One of my crowning accomplishments was writing a silly little program that showed a crudely-drawn Space Shuttle lifting off in a cloud of pixelated smoke.