Viktor Orban Quotes
Quotes to Explore
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I love to look back, but I don't want my music to be nostalgic. I want it to have the same vibrancy that the music I love had when it came out. I'm trying to get that electricity.
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The realities are, there are - you can be entertaining and you can be fun, and you can say things that actually appeal to people. You still have to figure out a way to get to 270 electoral votes. Get votes in Iowa, New Hampshire, and South Carolina.
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Matte digital prints are gorgeous, don't you agree? But the glossy digital prints, I just can't stand that paper.
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I think that people who get to a certain position, and then try to ferociously defend it or build on it, it's kind of a dead-end street. You see people becoming miserable that way.
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I actually didn't like Jane Austen. I was more into the Brontes. They were so wild and passionate. I thought there was something a bit tame about Austen.
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My dad was always such a frustrated artist. He always worked very hard to support his family, doing a bunch of ridiculous jobs. He wanted to be a painter, but then he also wrote science-fiction novels in his spare time.
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I am undeniably afraid of the dark!
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As I wrote I began to see more strongly that there were inescapable analogies. You couldn't really live through the '80s without feeling how crass and distasteful some of the economic doctrines were. The slave trade is a perfect model for that kind of total devotion to the profit motive without reckoning the human consequences.
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The business, task or object of the scientific study of languages will if possible be 1) to trace the history of all known languages. Naturally this is possible only to a very limited extent and for very few languages.
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'The Core knows what Teilhard de Chardin and other sentimentalists refused to acknowledge: evolution is not progress, that there is no ‘goal’ or direction to evolution. Evolution is change. Evolution ‘succeeds’ if that change best adapts some leaf or branch of its tree of life to conditions of the universe.
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I think the greatest of people in society carved niches that represented the unique expression of their combinations of talents, and if everyone had the luxury of expressing the unique combinations of talents in this world, our society would be transformed overnight.
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I'm very proud to be Canadian, but I would move to New York in a heartbeat.
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Anybody who really knows about the TV business knows that it would be impossible to just march in one day and say to your colleagues and bosses, 'Oh yes, I'm hosting my own show.'
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Money is the great instrumentality for manufacturing.
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I'm from the creative side of Hollywood. I'm up for anyone that wants to support my work. If you have eyeballs and give me a budget and are nice to me, I'm in.
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You cannot travel within and stand still without.
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I run around, I listen to a lot of music, go to a lot of concerts. And when I see someone that gases me, I try to go out of my way to involve them somehow in what I'm doing or get involved in what they're doing.
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Doing risk sports had taught me another important lesson: never exceed your limits. You push the envelope and you live for those moments when you’re right on the edge, but you don’t go over. You have to be true to yourself; you have to know your strengths and limitations and live within your means. The same is true for a business. The sooner a company tries to be what it is not, the sooner it tries to ‘have it all,’ the sooner it will die.
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My first proper 'Here's your guitar, Joseph' was a 1981 Chiquita, one of those Erlewine travel guitars. And it was good for a four-year-old because it was small.
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I was inspired to do anything I could to get out of what I was doing... today, I'm motivated to pay the bills.
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Editorial photography has to be energetic and visually competitive.
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I had such a good time doing that movie [Sister Act 2]. My daughter's in that movie. It was a fun film to do. And it shocked a lot of people, because they loved it, and they take it with them.
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All the terrorists are basically migrants.
