Ted Allen Quotes
I had a really good time with Martha Stewart, who also is somebody I really admire a lot. I've learned a lot from her and I think all of America has, about attention to detail and using fresh ingredients and making things beautiful and special.
Quotes to Explore
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The making of documentaries for 'Humanoids From The Deep,' 'Galaxy Of Terror' and 'Forbidden World' are absolutely fascinating.
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When 'Mulholland Dr.' was voted the Best Film of the Decade, that was very meaningful for me. That film opened up incredible doors for me, and I believe that that was the reason I was given opportunities to play all kinds of characters.
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To me, doing a gay pride show is one of the most fun things. My first show that paid more than $10,000 was in a gay club on New Year's Eve in San Francisco.
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Life wasn't about freeing up human souls. It was about creating obedient slaves in the hierarchical construction of the society - with God at the top, then the king and then the father.
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Even a genius cannot completely resist his Zeitgeist, the spirit of his time.
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I think that characters who are nice all the time and who you sympathize with can get really boring.
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Killing people because you don't like their ideas - it's a bad thing.
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I am a big music nerd.
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Being funny with a funny voice is more my comfort zone, a broader character that I try to humanize, a kind of silly or wacky persona that I try to fill in.
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America is the only country that went from barbarism to decadence without civilization in between.
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Life in a Chinese village is much more organised because the Chinese Communist Party has a presence even in the remotest Chinese village - a presence of the kind that no governmental or non-governmental organisation has in Indian villages.
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The function of the artist is to invent, not to chronicle.
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Britain's passion for Christmas and huge white weddings dates from Victorian times - both were low-key celebrations before Victoria and her PR machine.
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I've purged myself of bitterness and anger and remained open to love.
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There was one very special scene at the end of the film. My character, Zhao Di, has been sick. She wakes up and her mother tells her that the man she loves has come back from the city and had spent the day by her bedside.
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We must dare to think 'unthinkable' thoughts. We must learn to explore all the options and possibilities that confront us in a complex and rapidly changing world.
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It's my father's legacy. My father's view was that the public is the employer of these government employees and has the right to know what they're up to.
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I'm not going to change my game because I got hurt.
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People are still thinking of solving problems by violence and war, and that has to stop.
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The only guy who was at all helpful as a producer was Sam Spiegel with On the Waterfront. He's one of the few who even knows what he's doing.
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Nothing I read about grief seemed to exactly express the craziness of it; which was the interesting aspect of it to me - how really tenuous our sanity is.
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I was very dramatic - very, like, 'It's never going to happen. My life is over at 16 because I'm not already famous. I'm not going to get my record deal. I'm not going to be able to sing for a living.'
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I only get unusual ailments.
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I had a really good time with Martha Stewart, who also is somebody I really admire a lot. I've learned a lot from her and I think all of America has, about attention to detail and using fresh ingredients and making things beautiful and special.
