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I've worked a lot with Noah Baumbach, and he doesn't make it easy to like his characters, but the stories are funny and witty and there's an edge to that kind of humanity.
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I come from theatre and I always go back every couple of years.
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No nation can claim, 'We are an uncorrupt nation, therefore we will tell you what the morals of democracy are.'
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I know I don't go looking for directors. I always wonder why they chose me.
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Casting is very, very important.
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I don't use the word 'artists' lightly.
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I've never traveled to promote anything I've been in. I've only been to about two or three premieres. The way I work, I do bits, and then I'm off to something else, whether it's theater or another project.
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I don't think I'm very fashionable. I drink a fair amount of Barry's Tea, from Cork - but might that be fashionable? I don't know.
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You try to work with the director and your fellow actors to get somewhere, but other people are the judge of whether you hit that note right.
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I don't hold much of care for 3D. I think it's a passing fad. It came and went in the '60s. I don't see what it adds to the story.
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Stuntwork... once, I've really only done one thing, which is take a punch and transport myself into the air onto a mat.
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That's why Tennessee Williams was a great writer. Poetically, dramatically, it was fantastic stuff. And with the landscape, the losers in life populating it. His short stories have got rhythm, something musical about them.
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When you find somebody who doesn't give and take, you go, 'Remind me never to work with you again.'
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My feet always danced to Irish traditional music, but I was very glad to get out of the North of Ireland in the mid-Seventies when it was really closed and tight and relentlessly unforgiving.
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Grief is exhausting. When you learn - maybe through my age or experience - trying to harness the energy, whatever it is, muted energy or a concentration to find yourself in a place? You try to use it for when it's really necessary and can arrive.
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You get to an age when you lose people close to you.
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I do believe as human beings we are a great mass of contradictions.
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The joy of just being involved in something, of being part of a big process, just as a human being, it's nice to be part of people who are in the same enterprise, heading for the same goal, rather than, 'Oh this is all about me and my role. The story's about me.'
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I never saw myself as being a cop on TV. I come from theatre, and I always go back every couple of years.
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I'd love to get into some comedy, but people keep saying, 'You're not funny!' And I say, 'Well, fair enough.' I have done comedy on stage.
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I'd never really been in a series, where you see a man at different points and perspectives in his life. Usually it's a film, where I'm playing a character who just comes in and offers something up.
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When I was young I read 'L'Etranger' by Camus, and it made me aware of the strangeness of life.