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I am very much into voices. I would say I'm a fan of voices, not of sound. I'm a fan of singers, not of bands.
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I'm very detail oriented. Everything that takes a lot of dedication and creativity I do in the morning when there is light and I'm really concentrated.
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People say I am the king of painful shoes. I don't want to create painful shoes, but it is not my job to create something comfortable. I try to make high heels as comfortable as they can be, but my priority is design, beauty and sexiness. I'm not against them, but comfort is not my focus.
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I didn't even know 'Vogue' existed when I was growing up.
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High heels empower women in a way.
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Fruit in the morning is such a big joy for me. I like to grab fruit from the tree, et cetera. I don't feel that way with vegetables. Fruit, you can eat it at any time, any moment, in any type of situation. I like everything about fruit; I like the color.
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I buy Dries van Noten shoes. I love his clothes, too.
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I never wanted to design clothes. I never wanted to work for the fashion industry. Shoes sort of belong to the fashion industry, which is why I'm part of the fashion industry. But that's never been my thought. My thought since I was a child was really to design those shoes for girls on stage.
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I am interested in all things that celebrate and enhance the female form.
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I love deep cleavage on the foot. It reminds me of Berlin in 1930s, 'Cabaret.'
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Being on a trapeze is like dreaming. I feel totally outside of myself when I'm flying. You know, designing shoes, my imagination is flying in my drawings.
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Don't reject a shoe because you can't run in it. It's OK not to run.
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I hate the whole concept of the clog! It's fake, it's ugly, and it's not even comfortable!
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People tend to fear the ghosts in their own family. You feel these family curses and think, 'If it happened to my father, it could happen to me.'
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The shoe is very much an X-ray of social comportment.
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The highest heels I do are six-inch heels - but mostly only dancers can wear them, since they are used to being on point in ballet shoes. Their feet are arched.
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If the height of the heel is the same as the length of your foot, it starts to look wrong. And if the heel is positioned badly on the sole, you get into ballerina territory, where the body is pushed into a very strange posture. You can exaggerate the arch only so much.
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If you do what you love, it is the best way to relax.
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If I'm in Italy, I'm going to have a cappuccino and two small brioches and then a mix of orange and grapefruit. I don't drink tea in Italy.
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I was born 20 years after my eldest sister. I was the pampered child. That kind of love gives you an almost unbreakable backbone. My mother had three kids before me. She let me be completely free. I just never had anything to beat myself up over.
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I was always shouted at by my teacher because I would draw straight on the table in the school.
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I really wish I had invented the flip-flop. I love flip-flops. It's the one style of shoe I would be so proud of inventing: the Havaiana.
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The thing I always try to remember is that feet are attached to the leg, and that you must prolong the silhouette. The shoe elongates the leg and does it discreetly. The goal is to get people to look at a woman's legs. It's all about the leg. No, it's not about the leg. It's about the woman.
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Istanbul is inspiring because it has its own code of architecture, literature, poetry, music.