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I never wanted to design clothes. I never wanted to work for the fashion industry. Shoes sort of belong to the fashion industry, which is why I'm part of the fashion industry. But that's never been my thought. My thought since I was a child was really to design those shoes for girls on stage.
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I am very bad at drawing. Seriously. I can draw shoes. That's about it.
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My job is designing shoes. It's work that happens behind the scenes, as they say, and that suits me just fine because in general I am a shy person. But sometimes I have these extroverted outbursts.
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A lot of my friends have tattoos; I realized that it's not only just a part of pop culture, but a bit of a map on someone's body, which says something about people. A part of their life, like an armor or a crest.
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High heels empower women in a way.
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I have this disease that if I feel good somewhere, I... buy a house.
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People tend to fear the ghosts in their own family. You feel these family curses and think, 'If it happened to my father, it could happen to me.'
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My father, who was a cabinetmaker, told me, 'Wood has a grain and if you go into the grain, you have beauty. If you go against it, you have splinters - it breaks.' And I took that as my view of life. You have to follow the grain - to be sensitive to the direction of life.
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The highest heels I do are six-inch heels - but mostly only dancers can wear them, since they are used to being on point in ballet shoes.
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There's nothing I liked visually of the period I was a child. There was no dream in it, and nothing sparkled.
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Being an artist is being at the service of yourself; I am at the service of other people.
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People say I am the king of painful shoes. I don't want to create painful shoes, but it is not my job to create something comfortable. I try to make high heels as comfortable as they can be, but my priority is design, beauty and sexiness. I'm not against them, but comfort is not my focus.
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I'm very detail oriented. Everything that takes a lot of dedication and creativity I do in the morning when there is light and I'm really concentrated.
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The highest heels I do are six-inch heels - but mostly only dancers can wear them, since they are used to being on point in ballet shoes. Their feet are arched.
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The shoe is very much an X-ray of social comportment.
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I wouldn't take it as a compliment if someone looked at one of my shoes and said, 'Oh, that looks like a comfortable shoe.' There is a heel that is too high to walk in, certainly. But who cares? You don't have to walk in high heels.
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If you do what you love, it is the best way to relax.
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I am always surprised by who wears my shoes. This is a good thing. There is no type of woman, but all my women like to feel feminine. They are women who are happy to be women.
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I feel I am a role model to many, not just for my designs, but also for the fact that I started my own company with the help of my two friends. I became a success story, and people relate to that.
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I am interested in all things that celebrate and enhance the female form.
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If the height of the heel is the same as the length of your foot, it starts to look wrong. And if the heel is positioned badly on the sole, you get into ballerina territory, where the body is pushed into a very strange posture. You can exaggerate the arch only so much.
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Fruit in the morning is such a big joy for me. I like to grab fruit from the tree, et cetera. I don't feel that way with vegetables. Fruit, you can eat it at any time, any moment, in any type of situation. I like everything about fruit; I like the color.
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I hate the whole concept of the clog! It's fake, it's ugly, and it's not even comfortable!
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Don't reject a shoe because you can't run in it. It's OK not to run.