Kenneth Noland Quotes
I have to work things out by painting them. I can't just imagine what will happen. I have to do it and see it. That's the only way I find out if it will go anywhere.
Quotes to Explore
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As you get older, challenges arise that you aren't prepared for, but what got me through it was music.
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If I asked for a cup of coffee, someone would search for the double meaning.
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Life in cities is not a spring but a river, or rather, a water main. It progresses like a novel, artificially.
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I still can't believe it when people say I am a celebrity.
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Never stand still. Only stand still enough to learn, and once you stop learning in that stance, move off. Always keep yourself engaged, in theater, in whatever job you can get. If you can't get an acting job, then go backstage. Or take tickets. But be around actors because that is where you will primarily learn.
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Judge of your natural character by what you do in your dreams.
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Stupidly it should not be. It should be also nice. One must get along with that. Is however not necessary.
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When virtue is lost, benevolence appears, when benevolence is lost right conduct appears, when right conduct is lost, expedience appears. Expediency is the mere shadow of right and truth; it is the beginning of disorder.
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I won't say that I'm an agnostic, since agnosticism maintains that one cannot know... but I'm not averse to the idea of some intelligence or some organizing force that set up the initial conditions of the universe in such a way that ultimately generated stars, planets and life.
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I knew that I wanted to be an actor; how to go about it was the question. I went to Australia for my studies; from there I told my dad that I also want to do a course in performing arts, but my father refused. So I completed my studies and came back. But I kept poking him, saying that acting is something that I want to do.
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You have to be talented. You have to work hard; you have to get the right pieces flowin' for you at the right time. And that's just what happened to me. I can't explain what happened.
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I have always been interested in design, but in the beginning I didn't set out to make jewelry specifically.
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I went through a lot of phases and studied many religions. I am not into religion, I am spiritual.
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My character in the first instalment of 'GOW' was very shy and reserved. It was completely different from 'Kahaani,' where I played a no-nonsense cop. And in the second instalment of 'GOW,' it is again very different.
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Life is something to do when you can't get to sleep.
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Beware, all too often we say what we hear others say. We think what we are told that we think. We see what we are permitted to see. Worse, we see what we are told that we see.
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The Matrix is top secret. There isn't much that can be said right now.
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The great joy of doing 'The Daily Show' for me is that I get to sit on the fence between cultures. I am commenting on the absurdity of both sides as an outsider and insider. Sometimes I'm playing the brown guy, and sometimes I'm not, but the best stuff I do always goes back to being a brown kid in a white world.
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I don't know about you, but I lie awake nights worrying about Canadian uranium. I know these people. I grew up there. You have no idea what they're capable of doing. If Sidney Crosby hadn't scored that goal to win the Olympic gold medal, there's no telling what might have ensued.
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We did major work at the White House. But what people often don't understand is that when you do a historic restoration, you can't just do whatever you want. You work alongside the fine-arts commission and are obliged to create a replica of the past, as close as humanly possible. It's a historic institution, not a showhouse.
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A guy's who has all the money he needs and never faced any hard times, he won't have any character. But when you've had it tough and you've had it rough and you thought you were at the end of the rope and you work your way out of it, that's the way you build character.
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I don’t think Kitchen makes this. What’s it called again?" "Jell-O Surprise." Link grinned. "What’s the surprise?" Ridley examined the red gelatin more closely. "What they put in it.
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I have to work things out by painting them. I can't just imagine what will happen. I have to do it and see it. That's the only way I find out if it will go anywhere.
