Rainer Maria Rilke Quotes
Quotes to Explore
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Fortunately, in the place where I went out, they had set up a little previously a fence which prevented me finally from smashing against trees. I went out with a broken leg only. A small price to be paid at the time for an accident of this kind.
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There ought to be more grants that go to people in their late twenties and early thirties. That's a crucial age, although it's very hard to judge who is worth supporting and who is not. Looking back on my own life, I see that was the period when I was closest to giving up as a novelist and when I most needed some encouragement.
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I think it's always easy to be sympathetic to parts of the government in detail; in their concrete manifestations. Because obviously, we don't have government for no reason.
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I was passionate about soccer. I still am. Odd, though - playing soccer always made me much more anxious than playing tennis. On soccer days, I'd be out of bed by 6 in the morning, all nervous. But I was always calm when it was time for a tennis match. I still don't know why.
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Once every five hundred years or so, a summary statement about poetry comes along that we can't imagine ourselves living without.
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To die for an idea; it is unquestionably noble. But how much nobler it would be if men died for ideas that were true!
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I have often heard that the novel is dead. But I see novels produced, I don't know how many a week, in France. I have the impression it's carrying along quite well.
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The idea is to work and to experiment. Some things will be creatively successful, some things will succeed at the box office, and some things will only - which is the biggest only - teach you things that see the future. And they're probably as valuable as any of your successes.
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Hollywood's all about, 'Let's make this easy: This is what you do, so you go over here in this group, and we're not gonna call you.'
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We may define therapy as a search for value.
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Inspiration exists, but it has to find us working.
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I punish myself more than anybody else does if I am stupid about my actions, and I suffer, really suffer.
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We live in a time where government is not a leadership thing, it's more a business that's out there and running riot, so I guess the people have to go out there and say stuff.
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As a college student, I worked as a mentor, and that got me involved in working with young people long before I became a foster parent.
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I don't think I can name any names or anything, but this is what I've wanted to do for a long time: to have Flume as my creative outlet and to work on the biggest songs in the world, like pop, and come up with the idea and send it off.
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The Web is the new way to figure out who's hot and what's not. You can't let TV dictate because it's so polished, so political. It is what they want you to know. The Internet is the raw.
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Nine months after we submitted the original screenplay for 'The Attack,' the studio that was involved pulled out. I've been told that 'you don't write in a French way; you can't make these multicultural films.'
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I prefer to make movies which not only have a message for 'then' but a message for 'now.'
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For me there is no such word as 'luck' in the dictionary.
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In all my movies, be it 'Page 3', 'Chandni Bar' or 'Corporate,' I have tried to depict honesty and reality.
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A lot of fashion photographers will do the same sort of image for many years; it's easier to be successful if you do that.
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One of the frustrations of having a mind trained to think and consider possibilities was that it couldn't simply be stopped once engaged.
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All the soarings of my mind begin in my blood.
