Christopher Markus Quotes
Quotes to Explore
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I cannot summon up inspiration; I myself am summoned.
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Cuba needs a dose of perestroika.
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I love the immediacy of an audience being there and reacting. I'm spoiled, having grown up in theater.
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I've been following what's happening in Colombia because it's the country of my childhood.
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Turn your attention for a while away from the worries and anxieties. Remind yourself of all your many blessings.
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Touring, and being in a band, it's almost like the other stuff, the other parts of life, get put on hold.
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I think coming to work and being absurd and neurotic and thoughtful at the same time is far more interesting.
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Any guy that's not working with the same amount of intensity and passion that I do, I don't want to know.
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Every child should at least grow up in family rather than without one.
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Almost immediately, I remember right when Tikrit even fell, a few days after Baghdad fell, there was talks of insurgency, there was talks of jihad and of resisting the American occupiers, and slowly this turned into an organized movement.
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My brother is really, really slow.
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Only free people have an incentive to be virtuous. Only people who bear the consequences of their own acts will care about those consequences and try to learn from their mistakes.
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By the time I was ten, everyone knew I wanted to be a producer. I was a very precocious little boy.
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It is rather for us here dedicated to the great task remaining before us, that from these honored dead we take increased devotion to that cause for which they gave the last full measure of devotion.
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Love prefers twilight to daylight.
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You don't improvise with a Cameron Crowe script.
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When you take of a man's time, you've taken a part of his life.
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I don't think I want to transition into being a recording artist for the rest of my life or anything like that, but it's something I'd like to try.
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Up North you are holding your own. Everyone considers themselves a comedian.
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People do dismiss ambient music, don't they? They call it 'easy listening,' as if to suggest that it should be hard to listen to.
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I shot for French and British Vogue. The British Vogue one featured clothes by Chloe and was shot at Highgate and the John Soane Museum. It came out much better in my opinion. I only did one day and was working with my own make-up and hair people and a model who I've known for years.
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Happiness is there for the taking - and the making.
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People who live in a glass house have to answer the door.
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We all want something. Some people take the right path, and some people don't.
