Katharine Ross Quotes
In 'Butch Cassidy and the Sundance Kid,' I play a schoolteacher who is older than I am in life - and I like that.
Quotes to Explore
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I really enjoy getting to go and play on other people's shows for an episode or two. It adds such variety to my repertoire.
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It's always fun teasing the person. When they ask if I'm gay, I say, 'Oh, I don't know.'
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I believe in the promise of America. Being a Cuban refugee, having come here when I was eight, I know that this is a shining city on the hill.
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Being in the stands is very difficult. I was never playing but I am nervous watching, waiting.
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My house looks like it was decorated by a 14-year old with a platinum American Express card.
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For ages, I had this mullet until someone on the street stopped me and said, 'Darling, can I cut your hair for free? Because you look a bit weird.'
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For me, cerebral palsy wasn't the biggest deal, because I always had it. You know, you always work with what you got.
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When I was in college, I learned to really take care of my body and figured out what works best for me and what doesn't work for me when it comes to my nutrition. That helped so much on the field because soccer is such a fitness-oriented game.
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France is a fantastic country. It's between the Anglo-Saxon and Latin cultures. We have some of the Anglo-Saxon rigor, and some of the Latin quirkiness.
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The 'Room 93' EP was just kind of picking apart the sense of voyeurism and the sense of isolation and turning it into, essentially, a little black book and reflecting on - at that time - 19 years of me forming relationships with people.
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It is very wrong to sleep in your make-up, but when you wake up the next morning, I think it looks very good.
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Musical theater is one of my passions.
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I myself prefer my New Zealand eggs for breakfast.
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Religious faith, like political belief, should be based on reasoning, on the development of thought and feelings. The two things are inseparable.
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As we grow old, the beauty steals inward.
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Everybody has a story... and a scream.
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As soon as you say that there is a community called, let's say, black Americans, you've immediately created a boundary line - who's in that group, who's outside that group.
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I don't really approach a character as to whether or not it's good or bad. I just approach a character as to where it lives in me.
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I've played comedy before but not that much. I mostly do get drawn to darker material.
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We are very private, so we decided from early on that we will keep the press and editors and everybody out of our house.
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One must be entirely sensitive to the structure of the material that one is handling. One must yield to it in tiny details of execution, perhaps the handling of the surface or grain, and one must master it as a whole.
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My whole background, my whole life was just lots and lots of theater, a lot of that being musical theater.
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Because I'm shooting 'The New Normal' and 'Real Housewives of Atlanta' at the same time, so my schedule is double. I leave one show and go and shoot the other. The cameras are with me for, like, every day of my life. So I'm extremely tired.
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In 'Butch Cassidy and the Sundance Kid,' I play a schoolteacher who is older than I am in life - and I like that.
