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I think I might write a book. I like writing. People have asked me if I would get into politics, but I think I feel a lot more effective being a representative of truth through the arts.
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I've got my own studio, and I've got four- to five-hundred unreleased tracks. I've got stuff that's electronic, orchestral, jazz, I've got rock, I've got metal, you know, I don't have polka.
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The most important thing about music that I've learned after all this time is that to me, it's a way of reaching the truth.
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I think the gift of music is it's intuitive capability. I think music is a powerful medium because it co-inspires. It inspires the artist who then inspires the listener, and it's a back-and-forth process. Because it's intuitive, the truth has to be defined intuitively. It can't be preached, it can't be pushed. It's got to normally go across organically and make someone feel something, and that's the power of music.
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I think anytime that you go to the extreme of any mode of economics, be it capitalism or communism, you have these feedback mechanisms that make the system turn in on itself.
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The living ideas of the dead are more powerful and effective than the dead ideas of the living.
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Composing is what I love most from what I do. Each genre has a unique expression that you cannot supplant with another. All the records co-inspire each other though they are not tied conceptually in any way to another.
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In the last few years I've been listening to jazz more than anything else. I listen to a lot of world music and experimental here and there.
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As long as people are living their truth or their vision, whether they're activists or not, that's the important thing.
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I think music is an intuitive force. It's this beautiful wave that connects all of us and inspires us, and I think music has the ability - when you listen to a song, you're not immediately thinking about the lyrics or what's going on in the mind of the writer, you're feeling the song.
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I've worked with some great orchestras and amazing classical musicians, but I don't like the conceptualization of classical music as an elitist form of art.
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People think our music's very aggressive or angry or whatever, and it's just the opposite, really... I like laughing. And I like being really calm before a show, and smiley.
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A lot of pop music is based on trying to make people remember it so that they'll buy it. To me, it was not about that.
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I think as consumers Europeans are a lot more artist loyal irrespective of the genre of music or the type of project or the collaborative effort, and Americans are more media-loyal, because they need to be fed that media to know what's going on, because we're so inundated with promotion and marketing and everything that's going on - advertising.
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You listen to Bob Dylan and you can't help but think of the 60s, it's very relational and if artists are true artists and not just mere musicians they need to be truthful because the music doesn't come from them it comes from the universe and it's to be shared. At best, we're skilled presenters, and I say that at best.
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The percentage of Americans in the prison system, has doubled since 1985.
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With 'Elect the Dead,' I learned how to make a rock record without a rock band and make the rock record I've always wanted to make.
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If you're using live bass versus orchestral bass, you've got to make sure that you're not stepping on the toes of the other elements, so you've got to balance it out.
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Touring and putting out records is fun and cool, but I've been doing it for a long time.
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I'm a huge Beatles fan, but I've only really gotten into them as an adult.
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I like African music, and I'm a huge Ravi Shankar fan.
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With rock music, the amount of power that you can generate, the intensity behind the intentions of your lyrics that you can really reflect through rock music - you can't do that in jazz. You can't do that with classical.