Keri Russell Quotes
Dance has helped me with everything. It was a great foundation for discipline, hard work and, unfortunately, the ever-elusive idea of perfection. It lends itself easily to fight choreography, because that's what it really is. Choreography. And knowing how to move with someone.
Quotes to Explore
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We live in a fast-paced culture where we're asked to make snap decisions all day long, so I suppose cash-point donations feed into the immediacy of our life experience. So it's a great idea. But I think it needs careful handling.
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You'll probably find most models are incredibly insecure about their bodies.
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I found that I need to work, and I wouldn't have known that if I hadn't taken the time off.
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I'm shy. I am. I mean, if I get around, you know, in a room of a bunch of people especially I - you know, I don't know or - it takes me a while to warm up. I'm - and the real me, I'm not as witty as, you know, as the comic Wanda. The comic, she's had time to work on some things.
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A 90-minute time frame is not long enough to tell a good female story, and that's why long-format television has become so great for female storytelling and for female performers and directors and writers.
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When you work on a movie, especially an independent movie, it's a lot of work to make it! It's not just our job as actors - so many people are working so hard, and even the littlest movie takes a lot of work.
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I'd hopefully work through all my issues with men first so then I'd be okay being with a woman.
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I've got a waistline to develop.
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Sony is the coolest studio. They are really amazing. I think part of it comes from they're not an American corporation. They don't work by quite the same rules. And their studio heads have a lot of autonomy.
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I need to work to feel well.
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Writers always have confidence issues - it comes with the territory. We never know where we fit in, or what the actual value of our work might be. So we hit lulls, or slogs. Throw in the idea that many creative people are somewhat manic-depressive, and it can get pretty dark at times.
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Many years ago, I really didn't know where the next work was coming from.
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There is so much great talent in the underground, and electronic music is finally getting the props that it's deserved for so long. I feel like now that everyone is discovering it and it's so fresh sounding to so many people. It doesn't get any more rock n' roll than playing EDC or the Staples Center. It's really madness.
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I am 90. I can work day or night. I'm the same guy, but the polls show the effect of age. That's the issue.
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I'm this overachiever type, I'll just work and work and I'll just do it over and over and over again.
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If your work becomes a source of enjoyment and a challenge, it will never seem like work - it will be fun. If you ever feel that your work is a burden, there is no point carrying on with it.
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I have a tough time with stand-up because I am an improviser. I can riff; I can do crowd work, so I don't prepare.
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You can't live in a dialect without tremendous work. Like any muscle, accents and voices and languages are all formed out of the muscles that we have in our mouths and faces and tongues.
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I feel like I've been fortunate enough that I've gotten to meet and work with some really passionate people.
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I am interested in the study of music and the discipline of music and the experience of music and music as a esoteric mechanism to continue my real intentions.
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One is sometimes glad not to be a great theologian; one might easily mistake it for being a good Christian.
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I would love to take 'Ultimata Underworld' and literally update the graphics.
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Sustaining the energy and focus involved in doing a good job I think starts to - starts to gets tougher the longer you do it.
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Dance has helped me with everything. It was a great foundation for discipline, hard work and, unfortunately, the ever-elusive idea of perfection. It lends itself easily to fight choreography, because that's what it really is. Choreography. And knowing how to move with someone.
