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My lip curls in a snide reflex whenever I hear that a new novel is written from the point of view of a child or a monster, a lunatic or an animal. I immediately expect a nasty coyness of tone, cheesy artifice, the world through cardboard 3-D lenses.
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We're also far enough from the publishing power that we have no access to the politics of publishing, although there are interpersonal politics, of course.
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What I think happens, and that you have to acknowledge though, is that a director uses a book as a launching pad for his own work and that's always very flattering.
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The second is the structure and source of cults. They have always haunted me, and I wanted to explore the fundamental notion of giving up responsibility to an outside power.
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I don't like to see anyone suffer, and there's a very, very fine line between being healthy and working and totally down and out.
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Well, it arose out of two long-term concerns - the first being the possibility of genetic manipulation, nature versus nurture, what constitutes how people get to be how they are.
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I think genetic research is a fascinating and fertile area.
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A film adaptation is, I hope, the director's version. A new creation.
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She blurbed through her Moms-All-Purpose-Adjustable-List-Of-Horrors that might have happened whenever a child is out of sight.
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People have been trying for centuries to manipulate genes, enhance certain traits, and achieve racial purity, even in humans. And of course I thought of the Nazis and their efforts toward Aryan magnificence.
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Can you be happy with the movies, and the ads, and the clothes in the stores, and the doctors, and the eyes as you walk down the street all telling you there is something wrong with you? No. You cannot be happy. Because, you poor darling baby, you believe them.
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The more potent, unasked question is how society at large reacts to eager, voluntary violence by females, and to the growing evidence that women can be just as aggressive as men.
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It took seventeen years to get from my second novel, 'Truck,' to my third, 'Geek Love.'
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American culture is torn between our long romance with violence and our terror of the devastation wrought by war and crime and environmental havoc.
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In boxing, they say it's the punch you don't see coming that knocks you out. In the wider world, the reality we ignore or deny is the one that weakens our most impassioned efforts toward improvement.
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The things we do to our children - most of the evil in the world is not done with bad intentions but with the best intentions ever.
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I've met some of the most interesting, dimensional, and kind people of my life in that subculture and around the sport. And it seems to me that boxing is one of those structures that is designed to promote harmony. I think that it is a stove that contains that fire in us and makes it safe and useful.
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Boxing gyms are more than training facilities. They are sanctuaries in bad neighborhoods for troubled kids and shrines to the traditions of the sport. The gym is home. For many, it's the safest place they know.
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We live with a distinct double standard about male and female aggression. Women's aggression isn't considered real. It isn't dangerous; it's only cute. Or it's always self-defense or otherwise inspired by a man. In the rare case where a woman is seen as genuinely responsible, she is branded a monster - an 'unnatural' woman.
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The intense campaigns against domestic violence, rape, sexual harassment, and inequity in the schools all too often depend on an image of women as weak and victimized.
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Training of female athletes is so new that the limits of female possibility are still unknown.
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But I went to high school in a Portland suburb and went to college here.
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Sometimes we followed the crops, doing migrant labor. We did several years of tenant farming in Western Oregon starting in the early '50s. Later, my stepdad managed gas stations in a small town near Portland.
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The denial of female aggression is a destructive myth. It robs an entire gender of a significant spectrum of power, leaving women less than equal with men and effectively keeping them 'in their place' and under control.