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As you get older, you kind of take a more sober view of life.
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If it wasn't for John Peel, there would be no Joy Division and no New Order. He was one of the few people to give bands that played alternative music a chance to get heard, and he continued to be a champion of cutting-edge music throughout his life.
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People come up to me and say, 'You changed my life.' I don't think I changed anyone's life. I think their life changed while they were listening to the music.
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I knew from working with New Order that I enjoyed working with Phil Cunningham.
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New Order has always been a hybrid band. We always mixed guitar, bass, drums with electronic.
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If you go out and just play the old stuff and never write new stuff, you're not really a complete musician, you're a performer.
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Being a single mother in the late 1950s was a very shocking thing - and dreadful thing - for people.
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We played at a festival in Mexico City, at the same time as another famous artist, and I reckon we had 55,000 people watching New Order; the other had 7,000. I think from that I've discovered the secret of success in the music industry: don't do any promotion.
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There's only two choices when life goes wrong. You deal with it, or you check out, and, like 90% of people, I go for the former.
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It's impossible to capture every single facet of someone's personality in a film.
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I entered music at a poppy level.
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I tend to think in images and feelings rather than non-abstract concepts.
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I see all the musicians in Blur with equal standing, really.
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I think every day how incredibly lucky it is that I travel around the world playing to thousands of people.
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It's not in my nature to be too literal.
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I think in South America people are very, uh, they have no inhibitions and wear their hearts on their sleeves - what's the word? They're very expressive, demonstrative.
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I'd had to cope with a lot of death and illness in my family from a young age, and that maybe gave me a bleak outlook on the world.
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Joy Division finished the 1970s on a high. Our debut album, 'Unknown Pleasures,' was doing well; we'd just finished a hugely enjoyable and successful tour. The band's profile was higher than it had ever been, and it seemed to be growing by the day.
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Where I grew up was a place called Salford, which was the industrial heartland of Manchester. And where I lived in Salford, I could walk to the center of Manchester within about 20 minutes. So I lived really close to the center.
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If you're driving around or at home with the stereo blasting pure dance track, it gets boring within about 15 minutes. It doesn't work at home like it does in a nightclub. You've got no atmosphere.
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It's disrespectful to the older generation to have long hair. They fought in two world wars; they didn't fight for us to grow our hair and look like girls.
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The words that I'm most happy with are the ones that come from my subconscious rather than my conscious. They just feel right. I think that's the same with music, really. If you're doing an album, there's ten or eleven sets of lyrics, so you get to the point of inspiration ten or eleven times - it's difficult.
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Los Angeles produced the Beach Boys. Dusseldorf produced Kraftwerk. New York produced Chic. Manchester produced Joy Division.
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My mother, Laura Sumner, had cerebral palsy. She was born absolutely fine, but after about three days, she started having convulsions that left her with a condition that would confine her to a wheelchair her entire life.