Bernice Johnson Reagon Quotes
I started graduate school in 1971, I started working at the Smithsonian in the festival in 1972. I went full-time at the Smithsonian in 1974. And I got my doctorate in 1975.
Quotes to Explore
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Weirdly, often the more I write, the more ideas I have.
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'Grey's Anatomy' is a very culturally diverse show.
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We can build the fence. We can triple the border patrol. We can end sanctuary cities by cutting off funding to them. We can end welfare for those here illegally.
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For the most part, I don't have a Facebook page; I don't Twitter.
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The winner of the hoop race will be the first to realize her dream, not society's dream, her own personal dream.
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People expect me to be that guy. But I'm more east London boy than east Baltimore.
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The history of business has shown that companies usually only regulate themselves if they're forced to by legislation, or out of self-interest - often in the shape of a marketable message that will help sell more products.
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My biggest thing has always been privacy. With an interview such as this where the questions are about me, I struggle to express myself. I have an immediate answer in my head of what I'd say, but sometimes I feel that it would be too honest. So these wheels of censorship start going around my head.
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You can't be around Oprah and not have her influence you, and I don't mean that because she's doling out the free advice. I mean it because she is someone that leads with truth and follows her heart. She's a force.
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Everything and anything is valuable.
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Guard units in the U.S. are suffering severe equipment shortages which will affect their ability to respond to emergencies in their home States, such as Katrina.
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How you manage change can make all the difference.
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Life and liberty can be as much endangered from illegal methods used to convict those thought to be criminals as from the actual criminals themselves.
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I take what I see work. I'm a strict believer in the scientific principle of believing nothing, only taking the best evidence available at the present time, interpreting it as best you can, and leaving your mind open to the fact that new evidence will appear tomorrow.
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I thought at 46 years old, I've been removed from the fashion industry for 10 years. I couldn't possibly write a model's book. That's for a 20-year-old. But I could say what I want to say without chastising the industry.
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That's what hip-hop is: It's sociology and English put to a beat, you know.
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I want to make music, I want to act, I want to sing, I want to do something that doesn't make my skin erupt.
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We book our exports forward for more than a year, and so we have a fixed rate. We do not get the spot rate that we see in the market every day.
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Pilot season tends to be grueling, because you can be thrown all of these auditions at once - last-minute, always - and you're going on three a day, especially back in the day.
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Perhaps there may come into my art also, no less than into my life, a still deeper note, one of greater unity of passion, and directness of impulse. Not width but intensity is the true aim of modern art. We are no longer in art concerned with the type. It is with the exception that we have to do. I cannot put my sufferings into any form they took, I need hardly say. Art only begins where Imitation ends, but something must come into my work, of fuller memory of words perhaps, of richer cadences, of more curious effects, of simpler architectural order, of some aesthetic quality at any rate.
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I have a lot of men who will say to me, 'I don't read books by women, but I like you.'
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Out-marriage is an issue religious groups have been wrestling with for some time. Of course men and women fall in love. Of course it's not always convenient to their respective cultural and spiritual norms.
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I wrote 'The Spy Who Came in from the Cold' at the age of 30 under intense, unshared personal stress and in extreme privacy. As an intelligence officer in the guise of a junior diplomat at the British Embassy in Bonn, I was a secret to my colleagues, and much of the time to myself.
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I started graduate school in 1971, I started working at the Smithsonian in the festival in 1972. I went full-time at the Smithsonian in 1974. And I got my doctorate in 1975.
