Chaske Spencer Quotes
Quotes to Explore
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A British porch is a musty, forbidding non-room in which to fling a sodden umbrella or a muddy pair of boots; a guard against the elements and strangers. By contrast the good ol' American front porch seems to stand for positivity and openness; a platform from which to welcome or wave farewell; a place where things of significance could happen.
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I think 'North by Northwest' and 'Rope' and Rear Window' and 'Psycho' are on my list of favorite all time movies. I just think his kind of command as a director was almost unparalleled, and I feel like in certain ways the sort of character-based thriller owes more to Hitchcock than anyone.
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I don't know if I've ever played a character who's close to me. There have been some elements of myself in different roles. Sometimes, I show one side of myself and then completely conceal the other.
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It's really interesting working in television as opposed to the theater, where you know the arc of the character and you are able to create this whole backstory.
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I've gone very far, far away, but my character keeps me close to home.
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Don't worry so much about your self-esteem. Worry more about your character. Integrity is its own reward.
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When I did 'The Social Network', David Fincher told me that I managed to make a thankless character pretty awesome. I thought that was really cool because I think he's really cool.
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In the biographical novel, there's only one person involved. I, the author, spend two to five years becoming the main character. I do that so by the time you get to the bottom of Page 2 or 3, you forget your name, where you live, your profession and the year it is. You become the main character of the book. You live the book.
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Escapism, we are led to believe, is evidence of a deficiency in character, a certain failure of temperament, and like so many -isms, it is to be strenuously avoided. 'How do you expect to get ahead?,' people ask. But the question altogether misses the point. The escapist doesn't want to get ahead. He simply wants to get away.
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What happens with every role, you have to trick yourself, you have to creatively find ways to explore the mental state of your character.
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You know, I'm from the South, and I wasn't interested in perpetuating a stereotypical southern character.
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And while I might not always agree with the viewpoint I have to portray, because I play a district attorney, as an actress I can always tell myself that my character is trying to take the moral high ground.
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My childhood and adolescence were filled with visiting scientists from both India and abroad, many of whom would stay with us. A life of science struck me as being both interesting and particularly international in its character.
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I read the script for 'Guncrazy' in 1985 and loved it because it was one of the few scripts I'd come across that revolved around a strong female character.
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You try not to become so emotionally attached to your character, but you do.
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The nice thing is that, at least in Los Angeles, I'm known as a character actor and I do auditions for other things besides just cartoon shows.
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Older women know who they are, and that makes them more beautiful than younger ones. I like to see a face with some character. I want to see lines. I want to see wrinkles.
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One is made by all the things around one. There are many things that have made one. For a writer to go around looking for things that have made him is asking for trouble. It's like giving a character to yourself. Can't do it. Can't do it. These things are just there. Is that enough?
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The conflation of the simple in style with the morally prescriptive in character, and the complex in style with the amoral or anarchic in character, seems to me one of the most persistently fallacious beliefs held by English students.
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Here we are 17 years later. Those agencies never did come through.
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Fortunate is the person who has developed the self-control to steer a straight course towards his objectives in life, without being swayed from his purpose by either commendation or condemnation.
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We live in a society which on the one hand pressurizes us into the pursuit of instant gratification, and the other hand imposes on whole sectors of the population and endless deferment of fulfillment.
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If you really want to cover the story, if you believe in what you're doing, you have absolutely no choice. If you want to be safe, don't go to Iraq.
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The actors I admire are character actors.
