Katherine Moennig Quotes
I've seen up close what can happen when actors talk publicly about their relationships: their personal life gets dismantled. It's a show business game, and it's one game I won't play.
Quotes to Explore
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But if you want to be in a band and write music, then you should just be in a band and write music.
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Left-wing politicians take away your liberty in the name of children and of fighting poverty, while right-wing politicians do it in the name of family values and fighting drugs. Either way, government gets bigger and you become less free.
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I've been really lucky with the people that I've gotten to work with. I learn a lot from them, just by watching them.
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My house looks like it was decorated by a 14-year old with a platinum American Express card.
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The trouble is that, while my parents were great when they were apart, they were terrible together.
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I ain't just collab-ing with anybody. Because I don't care about making friends. I got enough friends.
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I only buy a computer when it's two years old, after the glitches have been worked out.
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I think you have to do certain things in the pilot to get your network's attention - to break through... So maybe you push a little further in the first show.
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It is very wrong to sleep in your make-up, but when you wake up the next morning, I think it looks very good.
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What is necessary to change a person is to change his awareness of himself.
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I will tell you with 100 percent confidence, Jon Jones is not deep in my head. The fact he actually thinks that, it makes me smile every day.
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I do not believe any president can bind a successor president to give up his fundamental role as protector of the country.
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Sometimes we misunderstand what films can do. We just throw a whole book in there, with people just talking, talking, and talking. The picture can tell, the frame can tell.
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I was real into Devo, Pavement, Captain Beefheart, and the Jon Spencer Blues Explosion.
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In my early 20s, I didn't even know what the Groundlings was. I had no idea. But I know how to break down a script and work on the character.
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In America, the stories we tell ourselves and we tell each other in fiction have to do with individualism. Every person here is the center of his or her own story. And our job as people and as characters is to find our own motivations and desires, to overcome conflicts and obstacles toward defining ourselves so that we grow and change.
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The job as a coach is difficult.
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When I first read 'The River,' I had theories on what it was about, but once we got into rehearsal, I realized it's much simpler: It's about how human beings try to connect. The play holds a mirror up to the audience, and they take from it what's relevant to their lives.
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I am led by what I find to be true, not what I find to be popular.
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What I didn't know was I was deeply attracted to the big space.
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I think Americans appreciate that my dad's a genuine guy. He's not gonna manicure every little word, and he's not massaging it. He's not running computer analytics to tell you what you want to hear and then do whatever the special interests tell him what they want him to do in the end.
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'The Great Gatsby,' by F. Scott Fitzgerald, remains the most perfect novel that has ever come out of the United States. Everything in the book moves as it should, in the manner of a piece by Bach or Mozart.
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I love what I do, so I don't mind working.
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I've seen up close what can happen when actors talk publicly about their relationships: their personal life gets dismantled. It's a show business game, and it's one game I won't play.
