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Actors are sensitive freaks, but it amazes me that it is something that I haven't improved on over the years.
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Being interviewed is an odd experience for me because I was an actor a long time before anyone ever asked me a question about myself. When I started being interviewed, I definitely felt I was being asked to defend or explain myself.
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Seeing someone happy on set is just a very small slice of the reality of an actor's life.
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'Inherent Vice' was a novel that already existed, and in 'Steve Jobs,' I was playing a real person; in those situations, you do feel an added pressure to please.
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When I go to see a movie, I never think about all the people it took to make it.
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Usually on films, you get used to kind of being told, 'This is what you're going to wear, this is what you're going to hold, and remember, you're lucky to be here, and shut up.'
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Some days, the first coffee just laughs at you. It says, 'Oh, you think I'm going to wake you up? Sucker.'
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What appeals about the '70s is the celebration of the female form, the lack of constriction.
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The minute you get cast, you worry they've made the most terrible mistake. There's a really awkward stage between being hired and doing the job when it doesn't feel real.
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I think that when you are struggling as an actor, you imagine that if things were to pan out, everything in your life would change, But really, it's not so different. You're still pursuing good work. You still panic that you're doing it all wrong.
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I look back at my adolescence, and I'm shocked at the things I did that were my idea of adult behavior.
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I think everything happens organically. You mine for clues. It's all immersive, and stuff you can use comes out of that immersion. I don't really like to wear wigs in movies because I like to look like the character all the time.
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I didn't feel a specific pressure to prove myself because I had an actor in the family. I didn't feel that pressure to fill some big shoes or anything.
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I really love fashion, but I feel like the older I get, the more I am drawn to the basic things in my daily life because everything else is so goofy and crazy.
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I think I really would have quit if I hadn't gotten 'Inherent Vice'. Or maybe I would have just shriveled up and died.
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For 'Beasts,' I really wanted my character to be this sort of mushy, muscleless Muppet.
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I was barely in 'Taking Woodstock.'
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My first memory of the Harry Potter series was my little brother just falling into those books and not resurfacing until he was done. That J.K. Rowling got an entire generation reading is extraordinary - I'm amazed, thrilled, and proud to now be portraying one of that phenomenal writer's characters.
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Sometimes you meet people, and you somehow feel like you've known them your whole life.
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I don't like to talk about things unless I have to. I don't like to talk a scene to death or overanalyze it, especially if I feel like I have some way in on my own.
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I love connecting with a character out of the blue, not knowing why.
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That period between finishing the film and opening night is agonising. That's part of why actors go from job to job - so they don't have to live with the anxiety in the interim.
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You kind of wake up in the morning, and you don't see anybody but these actors until you go home at night and pass out and do it again. So it's structured a lot like the process when you're making a film. You just kind of get in that tunnel vision. I like that. I like when the rest of the world kind of quiets.
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I basically never believed that I was a commercial actor. Just because of the outcome of many auditions over time. No one hired me.