Keith Richards Quotes
Quotes to Explore
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If at noon you sit down and there's just silence or blank tape, in an hour if you have a song, that didn't exist an hour ago. Now it exists and it might exist for a long time. There's something empowering about that.
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Silence is my dignity.
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Silence has been destroyed, but also the idea that it's important to learn how another person thinks, to enter the mind of another person. The whole idea of empathy is gone. We are now part of this giant machine where every second we have to take out a device and contribute our thoughts and opinions.
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My personal hobbies are reading, listening to music, and silence.
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But it's like the horror of being in a studio with a blank canvas. I used to always run out of ideas because there are so many possibilities and I would just think, well what am I going to do now!
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I'm not particularly interested in painting, per se. I'm interested in a painting that has that mysterious life to it. Anything that doesn't partake of that magic is halfway dead - it returns to its physical elements, it's just paint and canvas.
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Deals are my art form. Other people paint beautifully on canvas or write wonderful poetry. I like making deals, preferably big deals. That's how I get my kicks.
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There's a lot of craft that goes into achieving a hit song - at the beginning of your career, you're usually more inspiration than craft, and you get great when those intersect. A skilled songwriter can get you to that intersection.
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I came to feel very, very sentimental about those sets, which is ludicrous, because they represent everything which is transitory and insubstantial. It's absurd that one should feel sentimental about timber and canvas.
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I am perhaps the oldest musician in the world. I am an old man but in many senses a very young man. And this is what I want you to be, young, young all your life, and to say things to the world that are true.
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Dancers are a work of art - they are the canvas on which their work is painted.
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I always wanted to be known as a songwriter and not just a songbird.
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People are never quiet. It's go, go, go. I'm a go-getter, but you need rest and silence, just to sit around and think about things.
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We need a certain amount of energy to produce the sound. But then to sustain it, we have to give more energy, or otherwise, it goes and it dies in silence. And therefore, sound is absolutely, inextricably connected to time, the length of time.
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I excavate history. I look at lives buried under too much silence. Periods of time, like slavery, have to be revisited, reimagined, so we can move through them.
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There hasn't been anyone with whom I can discuss my scripts. Even when the film is done, there is no one I can show it to who gives his sincere opinion. There is silence.
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What could be more lonely than to be enveloped in silence, to be the last of your people to speak your native tongue, to have no way to pass on the wisdom of the elders, to anticipate the promise of the children. This tragic fate is indeed the plight of someone somewhere roughly every two weeks.
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Each solstice is a domain of experience unto itself. At the Summer Solstice, all is green and growing, potential coming into being, the miracle of manifestation painted large on the canvas of awareness. At the Winter Solstice, the wind is cold, trees are bare and all lies in stillness beneath blankets of snow.
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It's kind of like Silence of the lambs meets Boogey Nights.
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Silence is of different kinds, and breathes different meanings.
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It is sometimes expedient to forget who we are.
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When I started music, I started out in Puerto Rico with classical music. But what really made me want to be a musician was jazz, and because I didn't grow up with jazz, I had to learn it from a very basic level. I had to go into the history and learn everything about the development of the music, all the players and all that stuff.
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To a musician or songwriter, your canvas is silence.
