Edgar Winter Quotes
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I love music more just in and of itself. I love harmony and rhythm.
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Music is very spiritual, it has the power to bring people together.
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The most profound, tangible influence in my life has been my wife, Monique. I don't know that I would even be alive were it not for her, and I certainly would not be the person that I am today.
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As far as I'm concerned, blues and jazz are the great American contributions to music.
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There's a bootleg album that was recorded when I was 14 or 15, a compilation of things live at different clubs. Songs like Girl from Ipanema and Cry Me A River. I don't know what the title of it is.
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We started out when I was 6 years old. We played ukuleles and sang Everly Brothers songs.
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I think The Doors are one of the classic groups, and I think we're all tempted to feel like the time in which we grew up was somehow special, but I really do believe that there were two golden eras in music: The Forties and Fifties of big band, jazz and swing, and the Sixties and Seventies of rock. To me, they're really unparalleled.
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I believe that blues and jazz are the two uniquely American contributions into music.
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I can't imagine anything more worthwhile than doing what I most love. And they pay me for it.
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I played Woodstock in '69, and it really changed my life. Without a doubt, it was the single event that really changed the way I felt about music. Up to that point, I hadn't really thought of myself as more serious musician, and I didn't really have that much interest in pop music.
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I hadn't realized the number of people that are still interested in listening to what I am doing, people I would never know about if not for being online.
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I really had little interest in becoming famous. When I write my book, it will be my guide to avoid becoming a rock star.
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So yeah, I am definitely a blues man at heart.
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But when I played Woodstock, I'll never forget that moment looking out over the hundreds of thousands of people, the sea of humanity, seeing all those people united in such a unique way. It just touched me in a way that I'll never forget.
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I guess that I'm primarily thought of as a rocker, largely because of 'Frankenstein' being such a heavy song - you know, it was really hard rock, almost a precursor of heavy metal and just the image of the synthesizer. I happened to be the first guy to get the idea of putting a strap on the keyboard.
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I've always considered myself something of a musical rebel.
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I get really tired of hearing of all these old rockers whine and complain about how hard life on the road can be. Just stop if you don't like it. I don't think of it as work. I love it all.
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There's just no telling what I'll do. But I can say for certain I will continue to play, record, and put out music.
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When I did 'Frankenstein,' the record company said, 'Now you can do 'Dracula' and 'Wolf Man' and we'll call the whole thing Monster Rock!' and I said, 'No, that's not going to happen, I'm not going to do that.' I kind of enjoy defying categorization. I love music in and of itself. I love the beauty of harmony and rhythm.
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I started out playing ukulele when I was 5 or 6 years old.
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I liked the more sophisticated urban style of blues like Ray Charles and B. B. King, Bobby Blue Bland, Lou Rawls; people like that with more of a tendency toward jazz.
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I just want to thank all my fans for their loyalty and support-for coming out to the shows and buying the CDs.
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I'm primarily thought of as a rocker, and certainly 'Frankenstein' had a very dramatic power rock image. It was almost a precursor of heavy metal and fusion. But I also love jazz and classical and if there's one common thread that runs through all my music, it is blues.
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When I was first starting out, you'd have to bang an old upright piano and stick a mike in it and it would always feed back and you could never turn it up loud enough to be heard and I would beat my hands black and blue and bloody.