Beth Broderick Quotes
I used to do theater in L.A., but it got to the point where everything was really showcase-y.
Quotes to Explore
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Take a simple name like Nicholas: you can rhyme it with ridiculous. If you aren't too meticulous. You know, every word's rhymable.
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If you have a movie coming out, and people are talking about you, the amount of scripts will build.
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Metro never really wanted me for anything. I was always the one who happened to be free when their first choice was not.
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I have 179 children that I take care of full-time: close to 40 in Uganda and the rest in Sudan.
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The niqab, for some, has become an antiestablishment symbol around which one can rally and relish in the opportunities for confrontation that it provides.
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There comes a time when money doesn't matter.
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My son's a West Point cadet.
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Hollywood's built on insecurity. People are trying to prove things. And I probably have that. I probably do. Probably guilty of it, in a way.
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Dating is kind of hard. Like dinner or something like that. Like a forced awkward situation is very strange. Especially for me, for some reason.
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It's important for whoever is governor to be somebody with a breadth of experience in life, in business, and in service.
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Through the program, they get the basics of what it takes to train.
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The original Grand Tour would generally begin in Belgium or the Netherlands before moving through Paris, Geneva, Spain, Italy, and perhaps Greece.
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It's fun to present stories that have a character that, really, everybody wants to be.
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It's better to have a rich soul than to be rich.
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All sorts of artillery installations, rockets and tank units that are firing on civilians in Kosovo should be neutralized. If that means air strikes, then NATO should carry out air strikes.
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The spirited horse, which will try to win the race of its own accord, will run even faster if encouraged.
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I remember rap music. We used to party and dance off of it. Today it's all about a whole different angle... Rappers are going against each other, and it's more of a bragging, boasting thing.
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There's an examination for young people to go to university. I failed it three times. I failed a lot. So I applied to 30 different jobs and got rejected. I went for a job with the police; they said, 'You're no good.' I even went to KFC when it came to my city. Twenty-four people went for the job. Twenty-three were accepted.
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Every fight and every loss taught me something.
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I think it's wonderful and important for there to be so much choice for customers. Wouldn't it be such a bore if we all created, liked and wore the same thing?
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We basically built a pricing model that surgically identified what people wanted to pay us for and what they didn't want to pay us for. One of the things we figured out early on was that we could create value for people by creating a product that allowed them to design something that they couldn't design without us.
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At a horror movie, you can see other people dealing with the scary things. They can bolster you. You can think, 'Okay, if that guy can deal with it, I can deal with it.' There are lessons to be learned there, as opposed to having a frivolous popcorn experience. I think some of this stuff is good for your soul.
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The American cinema in general always made stories about working-class people; the British rarely did. Any person with my working-class background would be a villain or a comic cipher, usually badly played, and with a rotten accent. There weren't a lot of guys in England for me to look up to.
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I used to do theater in L.A., but it got to the point where everything was really showcase-y.
