Chesley Sullenberger Quotes
Quotes to Explore
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I can't get my knickers in a twist about my age and ageing in an industry that caters to the ids of 14-year-olds.
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No matter how beautiful and loved a cover may be, the jury on it remains uncommitted until the book has been in the world for a while. Perhaps bookstore buyers will be indifferent. Perhaps it will be lost on store shelves. Perhaps there's another book or two out there using the same or a similar photo.
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I pass by that it is very culpable to be facetious in obscene and smutty matters.
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I like buying iTunes. It's instant.
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I know that one of the distinguishing things was I looked like I could hold a gun, even though I'd never held one before and I'm physically able to do the martial arts and all that stuff.
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I am willing to lend that hand, I will continue to stay involved with my charities as long as they need me.
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I'm interested in human nature. That's why I chose to become an actor.
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New markets could be created by rural potentials, which could lead to rise in the employment.
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My Christian Louboutins are also one of the secrets to my not-for-profit success. Here's why - and it's something that everyone who manages employees, whether in a for-profit business or a not-for-profit, should keep in mind: A little extravagance goes a long way.
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It is every intelligent man's experience that evildoing recoils on the doer sooner or later.
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I vote Labour and can't begin to acknowledge anything good that comes from a Tory.
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I love hugging people. I still hug everybody in my meet-and-greet lines.
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I took to wearing a black tie known as the Ascot, with long drooping ends. I had seen pictures of painters, sculptors, poets, wearing this style of tie.
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Photography, painting or poetry – those are just extensions of me, how I perceive things; they are my way of communicating.
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Global actions require local and national participation. International cooperation and action requires community perspectives and legitimacy if it is to be effective.
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I think that marriage of music and picture is so vital, especially in a film that's almost exclusively exteriors.
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My idea of artistry has always been 'try everything until you find out what works.'
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I do read all my work aloud as I'm working - this has made it a little hard to adjust to my husband's retirement. I can shout the shouty parts if I'm alone in the house, but of course, I feel a fool if someone is there to hear me.
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If I can iron out my accent, it opens up another world of possible jobs. Whereas if you have that very strong European accent, it leaves you always being cast as the Hungarian maid or the stripper or whatever. I have voice lessons, and my coach has given me different tongue-twisters to rehearse at home.
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You will never cease to be the most amazed person on earth at what God has done for you on the inside.
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It's just I hate reading the description 'offbeat' about a character in a script, because I, along with Seth Green, Jamie Kennedy and a few others, have cornered the market on 'offbeat.'
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It was so much fun to work with the cast on 'School of Rock'. I was a little nervous because it was my first acting gig, but it was such a great experience.
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We're living at this funny time, where we're all urged to express ourselves as unique individuals, but on the other hand, we share a limited set of tools for doing that. It's easy to feel like nothing more than the sum of your consumer choices.
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It's amazing what you can learn to get used to.
