Ralph W. Sockman Quotes
The roads of life are strewn with the wreckage of run-down and half-finished loves.
Quotes to Explore
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I love making movies, but a movie becomes your entire life for, like, two to two and a half years. There's no way around it; if you're really going to be serious about a movie, it has to be your life.
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These years after my liberation were years of reconstruction, and I think I made the right decisions... I mean, I lost everything: my life; my father died; I didn't know anything about my children.
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I think how Chicago plays a role in my life - it had such a role in my youth and the decisions that I made as a kid and formulated who I am as an artist early on.
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I did an improv that was one of the most exhilarating ten minutes of my entire life. I mean, when you're doing it, you forget yourself.
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I was in my mid 20s when email finally took off. Until then, the phone was my primary way of connecting with the people in my life.
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I'm not the sort of person who wants to live my life doing just one thing. I like to go around and do as many things as possible.
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I still call Texas home. It is where I spent most of my life growing up.
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I have a phone obsession. It's really hard on set sometimes because I'll be checking Instagram, and then I have to remember, 'Oh, crap, I have to shoot a scene or rehearse.' Every now and then, I have to turn it off and live my life.
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That was really cool. I got to kiss a little boy. I was 7 and he was 10, and his name is Thomas Curtis. He was the first boy I've ever kissed in my entire life and he was three years older than me.
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You get to bring your own sound system when you play an arena, all the lights and visual stuff, which I think is really cool. There's something about those old arenas, where it feels larger than life.
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Life is such a gift, I just say thank you all day.
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I don't know what you guys say, but at home, life is way different from baseball.
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I've never judged anybody by how they look or how they dress. I basically judge them on their character. And that's how I lead my own life.
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The thing is, I live a very public life, and I have to keep things personal, or else I have no personal life. It's very difficult.
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When I'm recording my album, I want to be acting, or when I'm on set, I want to be making music. I guess we'll see how it turns out and which one overpowers the other... but I couldn't really see my life without them, both of them.
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I guess I was a mom so late in life, my daughter was the greatest thing since sliced bread.
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I've been a massive obsessive about jazz singers all my life.
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Yes, I believe the will is very important. It's how I have succeeded in life.
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I've reached a point in life where it would be easy to let down my guard and write simple imagistic poems. But I don't want to write poems that aren't necessary. I want to write poems that matter, that have an interesting point of view.
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The universal practice of closing the eyes of the dead may be thought to have originated in the desire that he might be prevented from seeing his way.
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For socialism is not merely the labour question, it is before all things the atheistic question, the question of the form taken by atheism to-day, the question of the tower of Babel built without God, not to mount to heaven from earth but to set up heaven on earth.
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One life is an absurdly small allowance.
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The roads of life are strewn with the wreckage of run-down and half-finished loves.
