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I've never set out consciously to write American music. I don't know what that would be unless the obvious Appalachian folk references.
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I find it enormously valuable to be sure that that the pacing is what I think it is and that the scenes have the shape I think they have musically and dramatically.
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The performances of my works in the last 10 years are probably equal to all the previous years put together. There are so many venues now and there is a completely new public for opera that's grown up outside of the traditional core opera public.
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The artist is something of an outsider in America. I have always felt that America does not value its artists, certainly not in the sense that the Europeans do.
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I was encouraged by my mother and, to a lesser extent, by my father.
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It's amazing how fast generations lose sight of other generations. One of the first things the young composers who come to work with me say is that they want to write music people will like, instead of gaining their credentials by being rejected by the audience.
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Our most intimate contact with civilizations long since dust has been through the art which has survived them.