Kay Granger Quotes
Quotes to Explore
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I find it very difficult to say no when I'm in Ireland. You do end up going around doing lots of events and things and not getting work done, and it's not just a question of having hours at the desk.
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We as the Afghan people and government are willing to help Pakistan work for peace in Afghanistan and work for peace in Pakistan, together.
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Because I'm so hands on here at work and always looking at fabrics you have to be mobile and as comfortable as possible.
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People have got to get together and work together. I'm tired of the kind of oppression that white people have inflicted on us and are still trying to inflict.
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I want to work with producers who are unique and have a different sound.
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The most overrated tool: a pasta maker. Why make it when you can buy it? It's a lot of work!
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What's better, a poetic intuition or an intellectual work? I think they complement each other.
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Don't get me wrong: there are some fantastic people who work at British Cycling who kept me together, who were there when I was struggling with it all. They were walking the same tightrope in many ways, because if you do speak up, your days are numbered.
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Everything that you read is an influence on everything you write, and you want to draw as many elements into your work as you can.
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My wife is a painter, musician, and fiber artist. We married in 1993, and as she worked, I found that my reading about art was helping me understand what she was doing, just as seeing her work gave me a language with which to speak of art.
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It was really really neat to make the movie because there were mentally challenged actors in the movie. So that was really really cool to work with them and they were always really happy, and they made everybody really happy on the set too.
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My ideal relaxation is working on upholstry. I spend hours in junk shops buying furniture. I do all the upholstery work myself, and it's like therapy.
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I think great artists have no time to waste with having disproportionate egos and irrational requests. They're too focused on their work to actually lose themselves in hysterical spirals where they become monsters or tyrants.
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The thing I learned from 'Pride and Glory' is that people like to feel a little better leaving the theater than they did coming in.
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I wanted to inspire people not to work under a bamboo ceiling. Whatever you are - yellow, black, white, brown - you don't have to allow your skin to define who you are or how you operate your business. There's not one face to anything.
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Music really gets me going, so I've always got to make sure I have my iPod to give me energy to work out.
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I always say, one way to connect with a working mother is to ask her what she has done before work that day!
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Wisdom is knowledge which has become a part of one's being.
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The people who are writing online and the people in my genre of creative non-fiction exert a great deal more freedom that journalists are allowed to exert in their day-to-day work.
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In his later works Doesburg tried to destroy static expression by diagonal position of his lines. But in this way the feeling of physic equilibrium which is necessary to enjoy a work of art is lost.
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Control is not real, and I'm really understanding that every day. It's about the acceptance of relinquishing control that makes it powerful for you.
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I don't mind going into a liberal lion's den. That's where you test yourself.
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Bottoms line: terrorists are always at work.
