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I'm not a stunning woman.
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For a long time I did not want to do television because I did not want to get stuck playing the same person. I wanted the ongoing challenge of a variety of roles.
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I read Stephen King a lot and I've actually played two roles. Delores Claiborne is my favorite, I think, of any film that I've done.
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I'm a horror movie fan to begin with, so to come back to the genre, I feel like horror has been very good to me.
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I'm very lucky to be able to do what I love to do, and I hope I can keep doing it for a while.
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I find that I'm fighting to keep my energy and my passion centered on the work and not on "Will this get me an Oscar?" - which is the way people are starting to talk to me. I'm not interested in the way people are starting to talk to me. I'm not interested in looking at a role that way. That's not what I ever did, and it's not how I can continue to do my work.
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I want to be defined by my own essence.
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You hope that the same people are coming back. I love playing with Angela [Bassett]. She's fierce. I met her years and years ago when she was a student at Yale, so to see her do these fierce roles and go on to [be] this powerhouse has just been awesome.
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My mother used to tell this corny story about how the doctor smacked me on the behind when I was born and I thought it was applause, and I have been looking for it ever since.
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I was a Stephen King fan and I was amazed that I got the chance to play that role and very glad that I did.
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I ran into Stephen King once in New York a few years ago and outside the Carlyle and he said, "You're in the pink." Which sounded so Stephen King. He's doing well I think after his accident and all of that, years and years ago.
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Because I'm a woman, because I'm a character actress, because I'm over 40, I'll be very interested to see, not just for me but for other actresses, how Hollywood treats us in the next ten, fifteen years. I'm hoping that it's not going to be so easy to shove people under the rug, as they have in the past.
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I see my sisters, my mother, my grandmother. I like the way I look. I think I have a nice face. I like my eyes, my mouth. I have a good nose. I have good skin.
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My 14-year-old grandniece is not allowed to watch 'American Horror Story' yet.
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When I was in New Orleans, I was in a grocery store and a woman came up to me and she said, "Oh, my daughter's such a big fan of the show." And I said, "Can I meet her?" And around the corner came this seven-year-old. I was horrified and I almost said to her, "Lady, what are you doing? [American Horror Story] is not for seven-year-olds, I can tell you."
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A lot of guys come up talking about The Waterboy. I get a lot of that. Misery, Delores Claiborne and The Waterboy, those are the main ones I get.
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We all love to hear a good story. We save our stories in books. We save our books in libraries. Libraries are the storyhouses full of all those stories and secrets.
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A heart can only discover what it really wants with experience.
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I have no idea and I think Steven King strongest suit is the characters that he does create, all in the same area where he lives. The way he describes them is one of his fortes and it boggles my mind how he's able to do that and to create so many. It must be thousands by now.
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I heard I'm going to have scenes with Lady Gaga so I'm hoping it's true. I know of one scene I have.
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Learn how to regulate one's own house well.
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I find it safer to pursue the powerful, the ugly, the unpleasant.
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The roles I was lucky enough to get were real stretches for me: usually a character who was older, or a little weird, or whatever. And it was hard, not just for the lack of work but because you have to face up to how people are looking at you.
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The relationship to the director is becoming more crucial to me, making sure there are some common goals. I haven't been in the kind of position where my roles have been chosen for me, where someone says, "First we'll do this and then we'll do this," and it's all part of some master plan.