Chris Frantz Quotes
Besides the two Christmas things, we've got a about a dozen new tracks we're working on.

Quotes to Explore
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When I wrote 'Fight Song,' I was in a particular low point. I needed to remind myself to not give up, that I still believed in myself and that I still had fight left.
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It's hard to find an emblem of cultural, national pride that burns as bright as Israel's success in classical music.
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This is not a zero-sum game. We know that if we provide access and education, particularly where there are gaps in the market, we will create more jobs, we will create more growth, and we will create more activity in the U.S. market, which will be good for our economy.
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There is no bore like a clever bore.
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Our approach to banking is very different from the traditional banks or even some of the new banks. We do not necessarily go out and write single-cheque, large-ticket loans.
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I'll tell you what's helped me my entire life. I look at baseball as a game. It's something where people can go out, enjoy and have fun. Nothing more.
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OKCupid's model is almost entirely based on advertising, which is the way most online media is monetized these days, whether it's the news or whether it's sports, and we think online dating is going to evolve in the exact same way.
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I believe the Thai people are patient, and the people at least give me a chance to prove my ability to help them.
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The intensity of being in front of all these incredible musicians and tremendous conductors in these elaborate halls can be overwhelming.
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I'd probably put myself in the top 1% in knowledge of blight in the city of Detroit.
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I think music sharing of any kind is great.
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Intuition and concepts constitute... the elements of all our knowledge, so that neither concepts without an intuition in some way corresponding to them, nor intuition without concepts, can yield knowledge.
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I've trained my people in mentoring entrepreneurs and made myself obsolete.
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When you're editing, you're putting it together in a way that makes sense metaphysically. You're not inventing it, but you're finding the story that's there. You're making a play that's eventually going to go on stage and present itself to an audience. You want to show what happened, not exactly what you have evidence of happening.
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I've seen it again and again in my consulting: Most teams are too large to be innovative, despite their leaders' best intentions.
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I want to be like Bruce Springsteen or something, making songs that are relevant.
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Americans spend more money on Botox, face lifts and tummy tucks than on the age-old scourges of polio, small pox and malaria.
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I remember seeing war hero Jimmy Doolittle fly a Gee Bee racer there. He was my childhood hero. Many years later, I was lucky enough to go hunting with him.
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When I started playing the bass, I became kind of fascinated by it and started investigating various styles of bass playing, and I was really struck with funk music, mainly American funk music - Stanley Clarke, Funkadelic and that kind of stuff. That comes out in a couple of songs like 'Barbarism Begins at Home.'
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I'm not really much of a genre guy. I think that audiences don't need that anymore where you just need a very specific genre. Audiences are very sophisticated, and as long as it's fun, it's okay and entertaining.
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I cut 'Diamond in My Crown' in my home in Georgia, because I wanted to use an old 1848 pump organ that my mother-in-law had gotten for Emory for Christmas one year. His mother would be proud to know that pump organ was made use of.
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Beauty products always cheer me up and give me hope. If it makes you feel pretty, why not?
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It is not whether you really cry. It's whether the audience thinks you are crying.
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Besides the two Christmas things, we've got a about a dozen new tracks we're working on.