Chris Ofili Quotes
When I was painting in art school - and I think many painters in the 1980s worked similarly - a finished painting would often be constructed from lots of other paintings underneath. Some of these individual layers of painting were better than others, but that was something that you would often only realise retrospectively.
Quotes to Explore
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I've always liked stories. I'm always reading, ever since I was a kid. I've always been reading and wanting to be in some other world. This is the perfect job for me.
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I think Dilbert is actually a radical strip.
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I'm optimistic about people and about the planet and about nature. I think it's resilient, like people are.
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My paternal grandfather Rustom Mehta had a huge influence on me because of his ethics and his values.
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Ah, sweet Content, where doth thine harbour hold.
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I'm such a happy, easygoing person.
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We want to see Israel withdraw from our territory. But we don't want to be accountable vis-a-vis Israel on the security basis, because we don't see, in the absence of a peace agreement, that Lebanon can really be accountable to Israel if anything happens.
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From the spinners, Anil and I have been together for a long time and I respect him a lot.
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Everyone should learn to tango in Argentina before they die.
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The fundamental thing about my personality is that I think I'm an imposter.
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Basically, my idea and explorations on fashion have not changed; however, I believe I'm going state-of-the-art on fashion.
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It's not my goal to be a famous actor.
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I don't like to look typical.
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For economist the real world is often a special case.
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Public appearances are a headache. I hold mine down to a minimum.
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The bigger we get, I think the more it's changing things, which is great, but we didn't set out to do that. We just wanted to be as big as we possibly could be.
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For me, the movies I like are all independent. And getting an independent feature made, it's like you get down to the selling organs part, and it just loses some of its luster.
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I consulted a Chinese herbalist and spent two weeks on an island off the coast of Zanzibar. I was away from any kind of contemporary technology.
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And when I'm lying in my bed, I think about life and I think about death.And neither one particularly appeals to me.
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The late Seventies was the death of the manufacturing age in the United States. It was also a time when the Pictures Generation artists were getting started. They co-opted the language of advertising. The factory disappeared, and weirdly, so did the art object - it was the age of making gestures, not objects.
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After every massacre in a school, Americans grasp at quick cures. 'Let's install metal detectors and give guns to teachers' Let's crack down on troublemakers, weeding out kids who fit the profile of a gunman. Let's buy bulletproof whiteboards for the students to scurry behind, or train kids to throw erasers or cans of soup at an attacker.'
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The art of living is the art of knowing how to believe lies. The fearful thing about it is that, not knowing what truth may be, we can still recognize lies.
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There's a great metaphor that one of my doctors uses: If a fish is swimming in a dirty tank and it gets sick, do you take it to the vet and amputate the fin? No, you clean the water. So, I cleaned up my system. By eating organic raw greens, nuts and healthy fats, I am flooding my body with enzymes, vitamins and oxygen.
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When I was painting in art school - and I think many painters in the 1980s worked similarly - a finished painting would often be constructed from lots of other paintings underneath. Some of these individual layers of painting were better than others, but that was something that you would often only realise retrospectively.
