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I just hope that when black people look at me, they don't see someone superhuman. They see themselves.
Chris Ofili -
The Notorious B.I.G.'s album 'Ready to Die' is an incredible chart of a man's life - it begins with his birth, you hear his mother giving birth, and it goes through the decades.
Chris Ofili
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I've always found music inspired me in the studio to try to do new things. If someone comes out with a new album, it's like, 'Gosh, they've been working hard - so should I.'
Chris Ofili -
I was an altar boy and heard the Bible being read out repeatedly. The stories have stayed with me, although they're completely remixed in my head. And often, when I do further reading, I'm quite surprised by the difference between the real story and my memory of the story.
Chris Ofili -
Change is not indecision.
Chris Ofili -
'Death & the Roses' came out of ideas about flagellation and guilt and from looking at Piero della Francesca's 'The Flagellation of Christ.'
Chris Ofili -
A lot of what Trinidad is about is the feeling of the place, the atmosphere of the place, particularly at night, and the mystery of the forest.
Chris Ofili -
Often I think changes within my work have been seen as sudden changes or sharp changes, but for me they're not that sudden. They have been there in the studio, but not so much in public.
Chris Ofili
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Sometimes, as I feel a door or an exit point in my work is closing, I'll try to create an opening so as not to stifle the creative process, which I see as a process that's never-ending.
Chris Ofili -
London was an exciting place to work at one point because, socially, it was very progressive - a catalyst. There were very interesting artists making all types of work, but it got to a point where the social aspect became claustrophobic.
Chris Ofili -
I love Manchester. I love Manchester United. But I would really struggle to be creative there. I feel a bit lost, over-familiar maybe. Maybe too stuck in my own web of history.
Chris Ofili