Keith Jackson Quotes
Quotes to Explore
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Fashion and interior design are one and the same.
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Winning the World Cup was very special because it meant so much to so many. One thing about our country that is constant is cricket. The smile it brought to people's faces was the thing I shall always remember. It reminded me, reminded all of us, of our importance to the lives of the Indian people less lucky than we are.
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Being Bob Marley's son has done many things for me, in terms of having a career in music. I'm very proud of my music, and I'm very proud of where I'm from. People hear that I'm Bob Marley's son, and they turn on my music to listen just out of curiosity.
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When I'm in my 50s, I kind of think I'll want to be in a garden.
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Since I started playing at the Olympics in 2000, I have always wanted to do a dress based on Wonder Woman. It should be interesting to wear. And hopefully, it will get me a gold medal.
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Sometimes 'Rookie' is written about like, 'Finally! Something for alternative girls!' and I'm like, 'No!' Obviously it's not for everyone, but I used to think that there are cheerleaders, and there are art kids.
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Literature is one of the most interesting and significant expressions of humanity.
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My son's a West Point cadet.
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I want to show every part of me and every color of me. And I think, growing up Albanian, I wanted to bring that to light.
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As independent filmmakers, we are actually deeply dependent on each other. The Spirit Awards are a public expression of those bonds, the intricate set of relationships and histories that we filmmakers depend on to make our most personal work.
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The nature of good fiction is that it dwells in ambiguity.
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If you're an artist, you're an artist; that's the only way I can explain it.
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Thanks so much to all the fans. To all our team, to all our wives, especially, that believe in us and that we come home to, and everybody here that's given us a shot.
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I'm privileged to have had some success, but I've never forgotten what it was like to queue for a half-crown gallery seat for 'Oliver!' which is why I ensure that there are £20 day tickets for 'Miss Saigon' and that the balconies in my theatres are as comfortable as I can possibly make them.
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I have a great office.
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Many people in this world are still so identified with every thought that arises in their head. There is not the slightest space of awareness there.
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There's only one way to become a hitter. Go up to the plate and get mad. Get mad at yourself and mad at the pitcher.
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Um, well, I made a new CD called 'Dream With Me' and it's out now, and I'm really excited about it.
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The irony is of course that my career has lasted a whole lot longer than some of the people I've parodied over the years.
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You reach a point in life where you realize that you might as well do what you need to do, because your being loved or not being loved is really a function of the people you encounter and not of yourself. That is an immensely liberating insight.
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You don't even need the director's judgement. It's too much.
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I had a stammer through adolescence. Any fun I'd had performing in school plays disappeared and only came back at 18, when the stammer started to go. Then I thought: 'Well, perhaps I can show off now.'
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I have all points of strength, and I have the opportunities to increase our non-oil revenues in many sectors, and I have a global economic network.
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If I've helped people enjoy the telecast, that's fine. That's my purpose.
