Daniel Libeskind Quotes
Quotes to Explore
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We must never forget that Black History is American History. The achievements of African Americans have contributed to our nation's greatness.
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I'm resigned to the fact that the corseted history of America is not as exciting as that of Britain.
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Spiritual space is lost in gaining convenience. I saw the need to create a mixture of Japanese spiritual culture and modern western architecture.
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Emotions come first, and in the most direct sense: you first have an emotion and then have a feeling. But also first in the history of the human race, for the ability to have emotions long preceded the ability to have feelings.
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Creativity is how we cope with creation. While creation sometimes seems a bit un-graspable, or even pointless, creativity is always meaningful.
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My family always encouraged my drawing ability. Kids in school who teased me about my reading would get out of their seats and stand behind my desk as I worked and go, 'Wow, you can really draw.' Later, I earned a degree in Fine Art and got a Ph.D. in Art History.
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Radical thought has inspired many of the great political and social reform movements in American history, from ending slavery to establishing the minimum wage.
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Conservative Justices have a history of not standing by their professed commitment to judicial restraint.
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The United States was the first country in the history of the world to be consciously created out of an idea - and the idea was liberty.
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The terrifying and edible beauty of Art Nouveau architecture.
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If architecture is frozen music then music must be liquid architecture.
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My Native American heritage was not embraced by our family, and we grew up African-American, so I didn't have a lot of access or history to that line of my family.
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History laughs at both the victim and the aggressor.
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My inspiration is love and history.
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Fellow citizens, we cannot escape history. We, of this Congress and this administration, will be remembered in spite of ourselves. No personal significance, or insignificance, can spare one or another of us. The fiery trial through which we pass will light us down in honor or dishonor, to the latest generation.
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In history, one gathers clues like a detective, tries to present an honest account of what most likely happened, and writes a narrative according to what we know and, where we aren't absolutely sure, what might be most likely to have happened, within the generally accepted rules of evidence and sources.
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If philosophy is practice, a demand to know the manner in which its history is to be studied is entailed: a theoretical attitude toward it becomes real only in the living appropriation of its contents from the texts.
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Architecture is a discourse; everything is a discourse. Fashion discourse is actually a micro-discourse, because it's centered around the body. It is the most rapidly developing form of discourse.
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I'm not a culture snob. So while, of course, I think the Mozart 'Requiem' or, say, Beethoven's 'Ninth' are some of the greatest works of art in the history of humankind, that's not to say the Beatles or Queen or Simon and Garfunkel aren't brilliant, beautiful, important works of art that should be sung without a sense of irony.
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The contest between form and content is what, is what art is about - it's art history. That's what basically everybody has ever contended with. The problem is uniquely complex in still photography.
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I think history is continuous. It doesn't begin or end on Pearl Harbor Day or the day Lyndon Johnson withdraws from the presidency or on 9/11. You have to learn from the past but not be imprisoned by it. You need to take counsel of history but never be imprisoned by it.
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If you're married you'll have tough times.
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Organization kills.
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To provide meaningful architecture is not to parody history but to articulate it.
