Orison Swett Marden Quotes
The quality of your work, in the long run, is the deciding factor on how much your services are valued by the world.

Quotes to Explore
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It's extraordinary what children put up with. I happened to see two of my uncles put my father up against the wall of my grandmother's house and knock his teeth out, because he'd been unpleasant to my mother. The next day I went upstairs and found my father making a rather half-hearted attempt to gas himself.
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You find out your mistakes from an audience that pays admission.
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I love when you aren't accountable to anybody or anything, and you can just be wherever you are.
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I am happy with all the films I've done. I have not become the victim of an image. I have managed to do different roles, and I am proud of that.
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Music is a powerful tool in galvanizing people around an issue. There's no better way to get your point across than to put it in a beautiful song.
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The first man to compare the cheeks of a young woman to a rose was obviously a poet; the first to repeat it was possibly an idiot.
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It's in literature that true life can be found. It's under the mask of fiction that you can tell the truth.
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Here in America we're doing the most wonderful crafts.
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If developed countries' citizens want to feel slightly better about their economies' slow growth and high unemployment, they should contemplate how much worse matters could be without the institutions that they have.
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Mandela drafted the M Plan, a simple, commonsense plan for organization on a street basis so that Congress volunteers would be in daily touch with the people, alert to their needs and able to mobilize them.
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I think that, as a white person stepping into doing any sort of anti-systematic-racism type of work, asking yourself, 'What is your intention?' needs to happen on a consistent basis. Check yourself. Check yourself. Check yourself, like, constantly.
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Were women meant to do everything - work and have babies?
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As anyone who has covered the company for any length of time knows, Yahoo's record on major decision-making has been akin to a hippie commune - a lot of wrangling internally in a culture where everyone seems to have a voice and a reticence to push the button to launch.
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If at first you don't succeed, failure may be your style.
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When my husband is away and I'm by myself, my neighbours will insist I eat with them every single night because they see it as unhealthy to eat by yourself.
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As an actor, I think you should always disappear a little. I act in order to lose myself.
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South African literature is a literature in bondage. It is a less-than-fully-human literature. It is exactly the kind of literature you would expect people to write from prison.
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I don't think you can ever completely transform yourself on film, but if you do your job well, you can make people believe that you're the character you're trying to be.
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There is a sense of purity in theatre which always attracts me. Deep down, I feel I am more of an artist than a commodity, which Bollywood turns you into. I want to strike a balance.
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I grew up in New York, in the Village, and I started going to Stella Adler pretty young. I was 13 or 14 years old. But I was also really shy when I was growing up.
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A lot of the scripts I read and the characters I get are 'the girl' in romantic films, and I don't know how comfortable I am, or the world is, with me being that.
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I like to exercise in the morning before work. It puts me in a good mood, which makes my coworkers happy, and jump-starts my brain, which makes me happy.
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The quality of your work, in the long run, is the deciding factor on how much your services are valued by the world.