Mark Frost Quotes
I want something that's going to linger and stay with me and give me something to think about and chew over. That's the real objective here; it creates something that doesn't feel disposable.
Quotes to Explore
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Charlie Sheen gave me a signed headshot. I think it said, 'Keep it real.' But 'real' was spelled 'reel,' like a film reel.
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I think what is happening is I think first of all there is confidence in the U.K. economy. We're in a German rather than a Greek position in international financial markets, which is very positive and keeps our debt service costs down, and we're also beginning to see real evidence of rebalancing.
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The talk about balance, nuclear balance, seems to me to be metaphysical and doesn't seem to be real at all.
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So I didn't have anything to do with picking the songs, but I got to musically take them in places I thought might be interesting, so it was a real neat collaboration among the three of us.
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When people talk about the impact of mobile dating, everyone focuses on real-time meeting - this idea that my pocket will vibrate every time a hot girl walks by. That's important. But it's not transformative.
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People realised this is real pollution; it is not fog. Now everyone has to face the data and come out of their comfort zone.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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I'm loyal. I'm real. I'm not afraid to say what I'm thinking.
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'Game of Thrones' focuses on what's real.
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I've got a clear line between work and real life.
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The real reason we ended up getting into that type of music was our dad worked for an oil company so we spent a year overseas when we were young kids. Because of that, it was all Spanish TV and radio so we ended up having these '50s and '60s tapes, tapes of that music.
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A novelist who writes nothing for 10 years finds his reputation rising. Because I keep on producing books they say there must be something wrong with this fellow.
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It's a sad commentary when I have to say that sometimes in our country we are real sensitive to race.
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I like real people - salt-of-the-earth men.
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I played a lot of keyboards, but I really wanted to produce the sound that was in my head that I was trying to emulate on the keys. I wanted to do it for real. And it makes me look at the keys in a different way. So it's like I'm looking at the guitar and bass more like meat and potatoes and keys like coloring over top of it, you know.
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There's always the hyena of morality at the garden gate, and the real wolf at the end of the street.
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I think at Le Cirque I learned how to make real food, which is what people crave, not just gimmicky things on a plate.
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The Real is ever-present, like the screen on which the cinematographic pictures move. While the picture appears on it, the screen remains invisible. Stop the picture, and the screen will become clear. All thoughts and events are merely pictures moving on the screen of Pure Consciousness, which alone is real.
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I rarely joke unless I'm in front of a camera. It's not what I am in real life. It's what I do for a living.
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Almost all Japanese animation is produced with hardly any basis taken from observing real people, you know. It's produced by humans who can't stand looking at other humans. And that's why the industry is full of otaku!
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Too often when we talk about racial or economic justice, we white people do not see ourselves in the picture. We feel like it's all well and good for other people to do better, but not at our expense, and it won't benefit us.
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So for mutual interest, I do want American presence in this region.
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I want something that's going to linger and stay with me and give me something to think about and chew over. That's the real objective here; it creates something that doesn't feel disposable.
