Justin Scott Quotes
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If you goin' to work, you gonna put my album on. If you happen to be makin' an hour-and-a-half drive, you gonna put my album on, because people spend more time in their car then they do in clubs.
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People don't necessarily expect singles from me. They expect full bodies of work.
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Everyone needs a lay-up at some point in life - just somebody to look out, something good to happen in your life to kind of push you forward.
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I'll say one of my all time favorite albums would have to be Willie Hutch, 'The Mack.'
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My grandmother introduced me to B.B. King. She wasn't someone who had a lot of posters, but there was a big poster of B.B. King on the wall as soon as you walked into her house in Meridian, Mississippi.
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Sometimes you think you didn't win, and you focus so much on that instead of really looking at it from the perspective of it not being your time yet.
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To be able to work with Bun B and be able to have a conversation, and the insights the OG has, and really be able to get just advice from him, is amazing.
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My music is definitely considered the kind of music you play in your car, that gets you from Point A to Point B. So, I understand how important it is to press up my music and give it out, hand-to-hand, just as much as it is to give it out on the Internet.
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People will reach out because they know I'm trying to put my best forward when it comes to subject matter and creation of song.
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I never lost my faith.
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I'm in competition with myself, and I'm always going to challenge myself.
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I love tearing people's speakers up.
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It's so hard to make noise coming from a small town that by the time you start branding yourself, you've grown in a certain way.
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I don't think I'll ever become comfortable with just being here. I always want to take it further.
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If I could have stayed independent from the jump, then, maybe, things would have been different. 'Return of 4Eva' would have been an album instead of a mixtape.
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In my house, I don't just always listen to rap.
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There's no real network, and every city in Mississippi is so spread out, so it isn't easy to drive around and pass out CDs. So when an artist from Natchez or Gold Coast or Meridian breaks out, they already know exactly what kind of artist they want to be. The grind and the hustle is just so adamant.
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Everyone should still want to put their music out because it's important that people still think that you are still willing to come to them. When you're dealing with the Internet, it's a 'come to me' situation. But when people see you out-and-about, promoting your merch and in the club, people enjoy that, too.
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A record like 'Price of Fame' - when you do get this success, how do you treat it, or how do you let it treat you? How does it affect your family and friends and the people around you? ... And I don't mind telling people what I've been through when it comes to the pressure I put on myself of wanting to be the best and the greatest.
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Get to the point where the songs sum it all up, and creatively, I'm just like, 'This is it.' I've also learned how to be patient and not really try to overproduce anymore. I used to add instruments, keep adding instruments, but nowadays - I know better now. I know how to let the track breathe.
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Favorite cereal is Cinnamon Toast Crunch.
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I think doing a record with B.B. King allowed me the opportunity to blend two different generations across the board and make a song that I hope is extremely impactful.
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I always wanted to prove myself. I think I naturally can't help but want to do something and push the boundaries.
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The things that I leave creatively are going to stay here long past me. That's the reason why the album is called '4Eva Is a Mighty Long Time.'