Big Sean (Sean Michael Leonard Anderson) Quotes
Quotes to Explore
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Shareholders need to have a real interest in the companies they own. Too many are simply too busy - they are asleep at the wheel.
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It's interesting now that basically a CG set is the same cost as a real set. So like if you're going to build a CG house in the suburbs, it costs you $200,000. And if you were going to build it in a computer, it'll cost you $200,000. It's the same... the relationship is exactly the same.
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Skating is tough to pick up when you are a grown up.
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I could not be one of those actors who stays in character all day long. I'd go mad.
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These will vary in every human being; but knowledge is the same for every mind, and every mind may and ought to be trained to receive it.
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I don't want to do romantic roles where I have to lip sync to a song. A role that explores romance on a new level would suit me.
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I voted for Barack because he was black. 'Cuz that's why other folks vote for other people - because they look like them... That's American politics, pure and simple.
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It is absolutely necessary, for the peace and safety of mankind, that some of earth's dark, dead corners and unplumbed depths be let alone; lest sleeping abnormalities wake to resurgent life, and blasphemously surviving nightmares squirm and splash out of their black lairs to newer and wider conquests.
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When we consider carefully what many of our so-called humanists stand for, we find that they are not humanists but humanitarians.
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Our lies reveal as much about us as our truths.
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...the joy of winning the World Cup cannot be compared with any amount of money
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Asks the Possible to the Impossible, 'Where is your dwelling place?' 'In the dreams of the impotent,' comes the answer.
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I was young and could not see the weaponry my ancestors had left for me, the shield in the tall brown grass, the ax lying right next to the tree.
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We must scrunch or be scrunched.
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I've got headdresses and robes from all over: I am the mystery of everybody's story.
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My first acting lessons were Shakespeare. The first time I ever started working with a coach was doing scenes from 'Measure for Measure,' which were tough dramatic scenes. And then 'Taming of the Shrew,' which required comedic timing. And that's the kind of stuff I love.
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It's hard to put someone in the friend zone.
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At Verve, my bookkeeper would invariably say, 'Well, why do you want to put out Roy Eldridge?' Or 'Why do you want to put out Ben Webster? They don't sell.' And I'd say, 'Well, whether they sell or not, they're important, they should be recorded and they're what Verve stands for, so we don't have to discuss that any further.
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You have to wake up and you have to run if you want to survive.
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I really love what Donald Trump is doing. He is doing a great job of exposing the republicans for what they really are.
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I see what other people do and what songwriters don't. They don't get out and take care of themselves. Producers turn themselves into a massive brand. Songwriters tend to be under someone else's umbrella. If you're building your own legacy, it can't be under an umbrella.
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Being in the Midwest, you get the best of all worlds and add your own flavor to it.