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There are times when I'll send a manuscript to an editor, and I'll think it is the most likely project I've ever sent them. And they might call me the next morning and say they couldn't tolerate it. That happens so frequently that I've given up any expectation of knowing what anybody's going to like.
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If a writer I represent gets a bad or unfair review, I suffer. I'm upset and outraged and do everything I can to try and change that. But I would never do that on behalf of my own book because I wouldn't expect my writers to do that.
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I don't think of literary novels as self-help documents, although literature undoubtedly saved my life when I was young, enabling me to disappear into all manner of stories, to recognise feelings that I felt alone in.
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I think of the part of me that writes as the most private self. It's the part that's engaged the least with the rest of the world's needs.
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When I write, I tend to read it out loud to myself after. I'm a very uncomfortable reader, so it creates a distance between the text and me - it is a new way to see it.