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Because his basic idea that he got from the study of gall wasps is that everyone's sexuality is unique.
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While that wasn't first and foremost in my mind, you can't get into this without being struck, on one side, by how far we've come, and then the other side, by how little things have changed.
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Kinsey himself collected absolutely everything.
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There were moments on the set when the depth of the cast of 'Dreamgirls' was almost overwhelming to me.
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I don't think 'Twilight' should be approached like 'Batman.' Because it is an invented kind of world, especially this one, I think it's got to be done with a sense of enjoyment to it I guess more than anything. So I never thought of anything as making fun of it, but kind of reveling in the melodrama of it. It's a melodrama.
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Like many of you, I've always been slightly obsessed with vampires, dating back to the prime-time series 'Dark Shadows,' which I followed avidly as a kid.
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Kinsey was six foot five, and he had this leader of men quality.
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When it comes to two of the big social earthquakes in the last fifty years - which are the gay movement and the women's movement - I think there is a direct line from Kinsey to those.
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There's no question that Whale's movies are classics. They were wonderful, and successful.
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I do think that's so much a part of what being a director is - in working with actors - to really try and be sensitive to what each actor needs to get to where he wants to be.
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Actually, I loved Chucky. It's one of the strangest movies I've ever seen.
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From its inception by Michael Bennett, 'Dreamgirls' has always been an epic story with an ensemble cast. I didn't change that. The screen version remains, really, a group story.
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It's in the nature of television to restrain the spontaneity of a live event. Things become more and more prepackaged.
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My idea of a beach holiday is going to New York for two weeks, just going and hanging out.