Daryl Hannah Quotes
That will only happen if I have a bout of amnesia or if I feel like mooning someone in the audience.
Quotes to Explore
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Money can't buy everything, but it can buy most of it. Because of money, I could give my parents a comfortable life.
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Music was a big outlet for me. Being able to play an instrument and sing was definitely a good way for me to escape things I was dealing with: family issues, growing up, being a kid and not knowing what I wanted to do with my life.
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It's so necessary to try and record the cultural memory of people. To set it down for generations to come. To better understand where we are headed. The problem is, a good portion of what we choose to remember is about willed forgetting. Which we all do, I believe, to protect ourselves from what is too difficult.
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My Southern heritage is a big part of who I am. I grew up around people who seemed like characters but are actual, real people. My grandmother made sure I had manners and all that stuff.
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Conscience is the inner voice that warns us that someone might be looking.
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The mean pattern of educational and economic achievement within multi-racial countries such as Canada and the United States has increasingly been found to prove valid internationally.
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I wasn't completely comfortable in the footy culture because I wasn't that comfortable in my own skin, which I am now. I'd fit in better now, but I don't miss the training and the injuries you get playing footy.
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As an illustrator you need to understand the human body - but having looked at and understood nature, you must develop an ability to look away and capture the balance between what you've seen and what you imagine.
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I am very busy and don't have a lot of down time, but I write my best songs in those situations. I enjoy my life the most when I have a bunch of things going on at the same time.
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I can't fathom writers married to writers and musicians married to musicians. There's your enemy in bed beside you.
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I think there's a big misconception out there about actors and the choices they have.
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The release of 'Lungs' was so hard. It was terrifying, because it was the first time doing everything. The first experiences of media exposure were almost paralysing. I spent a lot of time crying on the floor of the studio – it sent me a bit mad.
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We need to do more to conserve fuel or face tougher choices such as steep price increase or even quantitative restrictions.
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I had a long conversation with Steve Carlton. He told me that on the days he pitched, he felt it was his responsibility to make everyone around him better, to lift his teammates. That's what I try to do.
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I started dancing when I was about 15 or 16 in my high school drama club, and then I liked it so much that they offered dual enrollment classes. So my senior year, I ended up taking college dance courses while I was in high school because I had good grades.
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You just have to be yourself and make music you feel from your gut, and hopefully, your audience will respond.
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The fantasy that appeals most to people is the kind that's rooted thoroughly in somebody looking around a corner and thinking, 'What if I wandered into this writer's people here?' If you've done your job and made your people and your settings well enough, that adds an extra dimension that you can't buy.
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Every revolution, bloody or not, has two phases. The first phase is defined by the struggle for freedom, the second by the struggle for power and revenge on the votaries of the ancien regime.
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People look at me as this very, I don't know, Confucius-like wise person - which I'm not. They don't see all the shit that I've been through.
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If I could give my younger self some advice at that time, I'd tell her to enjoy the ride and don't be afraid to ask questions. I was quite responsible, uptight, and worried - I'd tell myself to chill out.
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'Station to Station' is a series of happenings that go across the landscape. What is a happening? A happening is a moment in time. A moment in time that is not choreographed, where you don't know precisely what's going on. Where there are aspects of different layers of culture.
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I've never cared for the character I generally played in films.
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The only time I've been arrested was in opposing the Marble Hill nuclear power plant in Indiana. That was in 1979.
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That will only happen if I have a bout of amnesia or if I feel like mooning someone in the audience.
