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Many people don't understand how disciplined you have to be to play jazz... And that is really the idea of democracy - freedom within the Constitution or discipline. You don't just get out there and do anything you want.
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My mother Elizabeth Ivey Brubeck was a pianist who studied with Dame Myra Hess and Tobias Matthey. As a child in California I used to listen to her play Chopin.
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I played a lot of sports and it's the plays in basketball that weren't worked out that are the ones that are just fantastic that you remember. We don't know the power that's within our own bodies.
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I had the first integrated Army band in World War II.
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It's like a whole orchestra, the piano for me.
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Do you think Duke Ellington didn't listen to Debussy? Louis Armstrong loved opera, did you know that? Name me a jazz pianist who wasn't influenced by European music!
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I knew I wanted to write on religious themes when I was a GI in World War II. I saw and experienced so much violence that I thought I could express my outrage best with music.
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Jazz isn't dead yet. It's the underpinning of everything in this country. Whether it's a Broadway show, or fusion, or right on through classical music, if it's coming out of the U.S., it's not going to survive unless it's got some jazz influence.
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I started growing up in a hurry and taking a lot of the philosophy I'd heard from church as a kid a lot more seriously - especially the Ten Commandments - and wondering how 'Thou shalt not kill' could be so absolutely ignored. It took me until I was in my 40s to write what I was thinking as a young soldier.
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That's the beauty of music. You can take a theme from a Bach sacred chorale and improvise. It doesn't make any difference where the theme comes from; the treatment of it can be jazz.
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If I told you all the people that have secretly told me I've influenced them, you'd never believe it, and you'll never see it in print, either.
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When you hear Bach or Mozart, you hear perfection. Remember that Bach, Mozart and Beethoven were great improvisers. I can hear that in their music.
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What I want to happen is to be really creative, and to play something new in the improvisations, every time.