H. P. Lovecraft Quotes
I could not help feeling that they were evil things -- mountains of madness whose farther slopes looked out over some accursed ultimate abyss.
Quotes to Explore
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I hired a personal trainer to help me lose 25 pounds and get from obese to fat. My next step will be to get from fat to chubby.
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Indian cinema is no more limited to audiences in India. We have viewers all around the world, and hence, understanding the global perspective is a must. Cinema Beyond Boundaries would get the viewers and the filmmakers together and would help us in serving them with good quality cinema.
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R. C. Buford has been a huge help to me with his support.
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Mary and Carrie and baby Grace and Ma had all had scarlet fever. The Nelsons across the creek had had it too, so there had been no one to help Pa and Laura.
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I have the feeling of being a very small item on this planet, and literature enables me to express that.
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When you write as a woman, there's this feeling there's going to be a softness.
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One should see the world, and see himself as a scale with an equal balance of good and evil. When he does one good deed the scale is tipped to the good - he and the world is saved. When he does one evil deed the scale is tipped to the bad - he and the world is destroyed.
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When life catches up with us, we all need space to dream and indulge, so I have created my own special range of bath & beauty loveliness to help you find your happy place.
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I want to learn about a different religion. I grew up Catholic, but my grandfather was Jewish. Knowledge about other religions can help you understand your own better. I think it's kind of hypocritical to believe one thing and don't know about any others.
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I'm not going to change the world overnight. It's one person at a time, and hopefully they're people in positions of power who can help people get in those roles and really, truly embrace colorblind casting.
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Our parents were really, really grounded people but also really ambitious people, meaning they saw our ambition and were willing to help us chase it.
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When you spend a lot of money on one player, you want him to prove himself, but the way football works, one day you can be good, the next you can be bad, and the next after that, you can be very bad. I have come to Manchester City to work very hard and to help my friends make Manchester City great.
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I always had a feeling when I was a kid that I didn't really know what was going on. Everybody else knew stuff that I didn't know.
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Love one another and help others to rise to the higher levels, simply by pouring out love. Love is infectious and the greatest healing energy.
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I played a character in 'Ransom' who was as evil as they come.
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I don't put a ton of time into my on-stage style, largely because I'm dumb about clothes. But I have friends who are very smart about clothes, and they teach me things. For the show, I'm mainly concerned with feeling comfortable, being able to jump around and get wild.
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Before we start filming, I have a strong idea of the look and the feel that I want to create, and I'm happy to explore any means that will help me achieve that.
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'Tryin' to Get the Feeling' has been a revelation. I'd forgotten how powerful that was. I'd forgotten how deep I can crawl into that one, and maybe because I'm older it means even more.
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I was off the scene for a while during the ska period and when I returned and joined the Treasure Isle studio, I came there with a different mood. The musicians picked up on that and we kept on going in that direction. The music became slower, which gave the bass player the time to play more notes. In 1965 I named it rocksteady. The first rocksteady song was 'Girl I've Got A Date'. That one was still a bit up-tempo, leaning towards ska. It turned the tide and made Treasure Isle the number one studio.
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I just think there are enough hours in the day. If you just focus and dedicate yourself and approach each task as it presents itself, you can accomplish a lot.
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I didn't plan on going into show business. Show business picked me. And it's been fun. One of the best things about being in show business is people think they know me, and they feel like they grew up with me.
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I like people a lot, but I am not comfortable in literary New York situations. There is deep anxiety and tension around success here. I don't share problems I'm having about my work, and I think conversations around publishing are boring.
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I could not help feeling that they were evil things -- mountains of madness whose farther slopes looked out over some accursed ultimate abyss.
