Freeman Dyson Quotes
The climate-studies people who work with models always tend to overestimate their models. They come to believe models are real and forget they are only models.

Quotes to Explore
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I always ask, why can't I be just like Cary Grant or something.
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I have two older brothers. I am the baby. We're all very, very close. We're great communicators, so we get along really well.
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Not to speak disparagingly of Justin Bieber or Rihanna, but they're not so hands-on with their image or their sound. They don't write the music. They have people doing things for them.
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Most of us, if we're not careful, tend to dehumanize the enemy.
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I'm not very good in crowds, so I usually try to become as small as possible.
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I skate to where the puck is going to be, not where it has been.
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If you come to my house, you won't see a wall of trophies or things like that. I'm sort of 'on to the next thing' all the time.
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It is absolutely critical for competitiveness in the United States for us to really raise the bar in education, especially in math, in science, in technology.
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Where I'm focused now is how I get more women leaders. We decided not to just look outside the company for great women to hire, but to help women rise up through the ranks internally.
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You can talk about and think about Muslims as you want, but you can't stop Muslims from building a mosque. You can hate Muslims from the comfort of your house or publicly, but when that becomes stopping Muslims from building a mosque or worshipping, then we are crossing the line into something else.
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We did not have a television while I was growing up, and so I read voraciously. My earliest memory of being utterly transfixed by a book was Madeleine L'Engle's 'A Wrinkle in Time.'
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I've done some music for films and I really enjoy doing it.
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There is no doubt in the sanctity of Mecca, but a donkey won't become a Hajj pilgrim by just going through the motions.
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How often do we see a Muslim woman who is intelligent and independent, and has a voice of her own and is career-driven, on American TV?
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I have a 'Mailer-Breslin and the 51st State' poster, and a neon-pink sign of Raoul's in SoHo, one of my favorite restaurants.
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There's only one way to become a hitter. Go up to the plate and get mad. Get mad at yourself and mad at the pitcher.
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I feel very English. I'm proud of it. I wanted there to be a thread connecting everything, the songs, clothes, artwork, even the string arrangements. It all creates a certain atmosphere.
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My first tour I was on the road for 18 months. You're just out there promoting.
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I can't be an ingenue forever, and I wouldn't want to be.
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People, certainly in the U.K., look down on screenwriting as an art form, but I love the discipline of it. Next to the bagginess of novel writing, it almost feels like a martial art.
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We live on a planet that is amazing, beautiful, and full of wonder but not protected from powerful destructive forces of nature. We are capable of doing wonderful and selfless things but also self-absorbed and harmful things. This is the world we live in.
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Design should not dominate things, should not dominate people. It should help people. That's its role.
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In fiction, I exercise my nosiness. I am as curious as my cats, and indeed that has led to trouble often enough and used up several of my nine lives. I am an avid listener. I am fascinated by other people's lives, the choices they make and how that works out through time, what they have done and left undone, what they tell me and what they keep secret and silent, what they lie about and what they confess, what they are proud of and what shames them, what they hope for and what they fear. The source of my fiction is the desire to understand people and their choices through time.
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The climate-studies people who work with models always tend to overestimate their models. They come to believe models are real and forget they are only models.