David Carson Quotes
Quotes to Explore
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I believe journalism or news will migrate to the online medium.
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My first published work was when I was 19, in 'Playgirl.' It was an odd experience but exciting.
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Opera was the cinema of its time, so to bring back that popular appeal, you just need to unleash its visceral immediacy and excitement. Most productions don't manage that - but when an opera does do it, you never forget it.
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To play four hands requires two people who have great affinity for each other.
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When you're mid-season, in very intense situations, it's hard not to take that home with you. Especially when you're sleeping, you can't control what you dream about. And it sneaks into the unconscious.
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One Hundred Year Starship really is about the idea that is we pursue an extraordinary tomorrow; we'll build a better world today.
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But I think the thing I'm proud of about the film is that there aren't many films - either independent films or mainstream Hollywood films - that are like this; it's of its own times, and it's the film Mike Nichols wanted to make.
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People win Oscars, and then it seems like they fall off the planet. And that's partly because a huge expectation walks in the room and sits right down on top of your head. The moment I won the Oscar, I felt the teardown the very next day.
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Have common sense and stick to the point.
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I would rather not have contentious interviews. I'd rather do 30 minutes with Charlie Rose, laid back in a La-Z-Boy chair.
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Memories are like stones, time and distance erode them like acid.
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I have to arrange my life very carefully. I need eight hours' sleep to work.
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The sum of wisdom is that time is never lost that is devoted to work.
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I don't think there is anything magical about the language of flowers in real life or in my book.
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I'm very obsessed with not being perfect.
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I cried when I heard Johnny Carson died.
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Just because something is three months away and seems far off, doesn't mean you will want to be there when the time comes.
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From the time I was 16 to really up until turning 21, the roles were really, really few and far between. I had people say that I just wasn't a good singer. They didn't know what to do with me; I would never fit in any markets. I almost quit acting altogether.
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Σεμνόστομός γε καὶ φρονήματος πλέωςὁ μῦθός ἐστιν, ὡς θεῶν ὑπηρέτου.
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But my point is that you design something in the end that precludes any unhealthy trading practices that are not going to serve your environmental or your economic objectives but now is not the time to do it.
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I love that I'm rarely recognized. I like it because I know I can look different from film to film.
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I'm intolerant often, especially of incompetence, particularly my own.
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I'd love to write full time. But it's not something that is due to me because I'm a writer. Times are very hard for doing the thing you love, but the payoff for not having much money is that you love your job. A balance would be good. But yes, given infinite funds, or a guaranteed regular income of some kind, I'd happily shut myself away and write stories for the rest of what I've got in me.
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The dreaded phrase in design circles is 'show and tell.'
