David Crane Quotes
Quotes to Explore
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The first book I sat down to write was an historical romance. It was really bad and thankfully no one ever saw it.
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I've never been a partier.
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Parenting is an impossible job at any age.
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You don't go into politics unless you want to win.
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I read in the paper that I'd slashed my wrists. But I didn't.
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I had an ethnic preference, if you will, for the warm weather, coming from Chennai. So I finally said, 'Look, can I move to California?' because every time I come here, it would be in the 70s or 80s, and there would be beautiful blue sky and warm.
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I've definitely had those moments when I think a relationship with somebody is one way, and then it just flips.
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The big difference between the radio show and the TV work is that I don't have to work by committee on the radio show. I'm the DJ; I can play what I want and suffer or get praised by that. With a TV show, it's much more of a collaboration, and the song that I might think is perfect may get shot down and vice versa.
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We didn't gel with Poison and the Bon Jovi. Bon Jovi was the best of the pop metal bands, but we never fit in with the hair metal stuff. We were never as hip as the Chili Peppers. We were in the middle.
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It's the job that's never started as takes longest to finish.
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I know that often times a lot of people who work in music, whether they be labels and so on or even artists, want personal recognition. We want to be recognized for something, for what we did. I'd rather my song be recognized for what it's doing and that's important. It's not so important how many people know me.
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After the dotcom boom blew up, it increased the focus on questions like, 'Why should I trust you to help run my business? How do I know you're not going to go away like every other company?' That was hard. We had to keep proving ourselves.
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I got into cars through my father. He used to work on cars. My job was to hold the light, which pretty much was the limit of my mechanical abilities.
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I try to play my game and that's being emotional because I'm that kind of guy.
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The cool thing about working and meeting a lot of people through your acting is that you never know who you might work with, in the future.
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We did 356 'Dallas' episodes between 1978 and 1991. The most memorable moment for me happened in 1980 when I got shot at the end of the third series. The rest is a blur.
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The Hit Stick is a tremendous invention. It really gave you control as a defensive player because most of the time, 'Madden' is such an offensive game. But the Hit Stick really gave you the opportunity to shine on defense for the first time.
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And it really is a good feeling to get up there and make that sound. I'm not stuck in a time warp, because I can use as many of the old songs as I want to, just the favorites.
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Experience isn't interesting until it begins to repeat itself - in fact, till it does that, it hardly is experience.
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I like to consider myself an actor who just happens to be Hispanic.
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In a poem, the words happen; they just come. I let them. Otherwise, I wouldn't write. To interfere with what is happening is to distort the poem. Just a very small degree of intelligence and supervision is necessary. Very tactful. Any revision later that violates the text as it came, that begins rewriting the words, is fake.
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If you're a 'character actor,' you get hired to play baddies a lot.
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Pushing myself against my own will really, because some of this stuff is hard. I don't consider myself to be a great guitar player, so pushing myself as a guitar player or pushing myself as a singer, as a performer, and just riding that fine line between being so hard on yourself that it's counter-productive and being so hard on yourself that nothing is ever good enough is what drives me.
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Plus, I was a math and science whiz from my first introduction to the subjects.
