Nathan Fillion Quotes
I like to say there's certain things you can't take back: One of them is 'I love you,' and one of them is bullets.
Quotes to Explore
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I don't consider myself a feminist, but I feel very empowered as a woman, and I've used all my resources widely. I believe in equality, but that's just naturally happening. I still want a door opened for me, to be treated like a lady, but I also want equal rights for women, of course.
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We are asleep with compasses in our hands.
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It's one of the reasons I don't do drugs. One sniff and I'd go all the way.
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I tend not to wear ties very often. I'm usually in old stuff: Hermes or Marc Jacobs boots and jeans and a T-shirt and a leather jacket or a jean jacket.
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I've never been far from the river. I'm sort of like a Thames-nymph.
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I grew up in Hemel Hempstead, Hertfordshire, and reading was a big part of my life - I'd get through several books a week.
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Nothing could be more inappropriate to American literature than its English source since the Americans are not British in sensibility.
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What can I know? What ought I to do? What can I hope?
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The weapon of suicide bombing is so desperate that you aren't even left with the possibility of taking revenge or punishing anyone; the terrorist is killed along with his victims, his blood mixing with theirs.
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You have to treat Hollywood like it's your boyfriend - he's there all the time.
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On June 23, 1864, Ambrose Bierce was in command of a skirmish line of Union soldiers at Kennesaw Mountain in northern Georgia. He'd been a soldier for three years and, in that time, had been commended by his superiors for his efficiency and bravery during battle.
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My father used to play with my brother and me in the yard. Mother would come out and say, 'You're tearing up the grass'; 'We're not raising grass,' Dad would reply. 'We're raising boys.'
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To write a book about improvisation is partly a contradiction in terms. Improvisation is spontaneous. It's in the moment.
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My mom is incredibly stylish, and she gets it from my grandmother. I feel like I can't live up to how chic they are as women. They are great role models for aging gracefully, and that's a thing that is very key that I try to always emulate.
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I am interested in the way that we look at a given landscape and take possession of it in our blood and brain. None of us lives apart from the land entirely; such an isolation is unimaginable.
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People throw things at me sometimes, at big festivals.
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In law a man is guilty when he violates the rights of others. In ethics he is guilty if he only thinks of doing so.
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I went around Coimbatore quite often while I was shooting for Velayudham. It's a fascinating place with a lot of energy.
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If you have multiples of anything, you have the possibility of repetition. Repetition creates pattern and also unity. Put anyone in a room with a pile of similar objects and say, 'I want a pattern by 3 P.M. or no dinner.' Anyone would come up with a design. It is easy, fun and available to anybody. Most people just don't have the nerve.
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I try and take the commonplace - and some of it is writ large, like death - take the commonplace and make it universally resonant, revelatory, and beautiful at the same time.
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That was the trouble with so many reality programmes on television - everyone wanted fame these days without necessarily working at anything to achieve it.
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As an artist, you take things from your environment, and there's going to be a style coming out of your environment.
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I only back people with track record who can execute ruthlessly and flawlessly... Real killers...no matter the industry or company geography.
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I like to say there's certain things you can't take back: One of them is 'I love you,' and one of them is bullets.
