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To be willing to sort of die in order to move the reader, somehow. Even now I'm scared about how sappy this'll look in print, saying this.
David Foster Wallace -
It looks like you can write a minimalist piece without much bleeding. And you can. But not a good one.
David Foster Wallace
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The other half is to dramatize the fact that we still 'are' human beings, now. Or can be.
David Foster Wallace -
What if sometimes there is no choice about what to love? What if the temple comes to Mohammed? What if you just love? without deciding? You just do: you see her and in that instant are lost to sober account-keeping and cannot choose but to love?
David Foster Wallace -
This is nourishing, redemptive; we become less alone inside.
David Foster Wallace -
This might be one way to start talking about differences between the early postmodern writers of the fifties and sixties and their contemporary descendants.
David Foster Wallace -
My chest bumps like a dryer with shoes in it.
David Foster Wallace -
The problem is that once the rules of art are debunked, and once the unpleasant realities the irony diagnoses are revealed and diagnosed, 'then' what do we do?
David Foster Wallace
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Nuclear weapons and TV have simply intensified the consequences of our tendencies, upped the stakes.
David Foster Wallace -
This diagnosis can be done in about two lines. It doesn't engage anybody.
David Foster Wallace -
It can become an exercise in trying to get the reader to like and admire you instead of an exercise in creative art.
David Foster Wallace -
Severity is in the eye of the sufferer, it says. Pain is pain.
David Foster Wallace -
I often think I can see it in myself and in other young writers, this desperate desire to please coupled with a kind of hostility to the reader.
David Foster Wallace -
'You know what your problem is, Hallie?' 'I have just one problem?'
David Foster Wallace