Kris Carr Quotes
Quotes to Explore
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I always wanted to entertain. When I was little, I would sing in front of the mirror with a hairbrush or my sisters and I would make shows. I always wanted to be on TV.
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I spend all my time right now trying to combat music retail and copyright.
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Opera is the most complete art form. It includes drama, acting, technology (lighting), art (the sets), dance, and the epitome of the human voices. But mostly, go for the glorious music. The arts are crucial to the life of every community.
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When we were children, we used to think that when we were grown-up we would no longer be vulnerable. But to grow up is to accept vulnerability... To be alive is to be vulnerable.
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I just kept it real and had the freedom to do what I want. It's not designed for any age group. It's not made for radio. There are no edits. The whole album contains explicit lyrics but that's because you need it.
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I'm very, very used to hearing no - repeatedly! - and through my experience founding startups, I've learned to view those two little letters not as a final roadblock but as a problem to be solved.
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When I got into college, I found what ultimately became my life's work. I couldn't sleep at night, I was so excited about it. So I'm attracted to people who play at that level. They actually want to play in their professional life.
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If I'm teaching girls that do love to make cookies and do love fashion - that they can use math as a part of that - you think that's me saying, come on girls you belong in the kitchen, you belong shopping? Or, do you think it's me showing them how math is part of all their life, even the part they thought it had nothing to do with?
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I'm English, and I started off as a songwriter, so I can't really escape that - it's there.
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When liberty returns, I will return.
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Many think kids have lots of time and few responsibilities. And that's just not true. They are stressed and under pressure.
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If we mean to have heroes, statesmen and philosophers, we should have learned women.
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Here's the thing that people don't understand: I don't really care. I've never been a careerist. It's not a strategy. I react to certain characters and story lines and specific mode of filmmaking.
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I care about Bahrain. Bahrain is very dear to me. I will not allow people to play around with our laws.
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Nancy Lopez has always been a role model of mine... so to have the opportunity to play for her and spend time with her has been amazing.
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What we see today is an American economy that has boomed because of policies and developments of the 1950s and '60s: the interstate-highway system, massive funding for science and technology, a public-education system that was the envy of the world and generous immigration policies.
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The truth only irritates those it enlightens, but does not convert.
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I would hate to look back on my life and go, 'You know, I wanted to do a rock n' roll album. I should have, and I never did.'
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We never have business meals at El Bulli. If it's about business, you're probably not paying much attention to the food.
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There's not a strong autobiographical strain in my fiction. A few bits of fact here and there.
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The big success stories - Facebook, Zynga and Twitter - are leading to investing in ideas on a napkin, because no one wants to miss out on the next big thing.
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I was researching a different World War II story when I came across an article in the 'Chicago Tribune' from June 1945 that knocked me for a loop. The article explained that a military plane had crashed in an impossibly remote valley of New Guinea that had been nicknamed Shangri-La.
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Probably the biggest influence on my career was the late John Hersey, who, while he was at 'The New Yorker,' wrote one of the masterpieces of narrative non-fiction, 'Hiroshima.' Hersey was a teacher of mine at Yale, and a friend. He got me to see the possibility of journalism not just as a business but as an art form.
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I tell people, 'I have a Ph.D. from Google University.'
