Kris Kristofferson Quotes
Quotes to Explore
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When your conscience says law is immoral, don't follow it.
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We do not need to have a way to talk clearly about other people's images.
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It's always been a desire of mine to work with my parents.
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The artistic part of us all - I think that the easiest way to appreciate this - is through architecture. Architecture is very impressive; the beauty of buildings, temples.
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It's not about 'succeeding,' but sometimes on a film, you know you've captured something.
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Are we a Christian nation now? It's doubtful. But did we start out as one? Without question.
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The underdog winning is the romantic position.
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It's a matter of pride to me to get the film done fast, to get it done well. I understand the need for compromise. There is no such thing as a perfect shot, a perfect film. The purpose of film is not to make a monument to oneself.
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I hope that what you take away from my album is not just the music - which I did want to be fun, and I did want it to be about individuality, but please also take away from it that there's no dream that's too big.
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Soul, soul is nothing. Can you see it, smell it, touch it? No.
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The local music community here was dying for a place to record, so we started doing acoustic, folk and bluegrass and then did rock projects for other bands, as well as for my son Tal and my own work.
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The state dinner is almost a formula, but you try to make it interesting. You try not to overload it with too many political types. You try to get a cross section.
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When you forgive somebody, it doesn't necessarily mean you want to invite them to your table.
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Truth is not a matter of personal viewpoint.
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In business, every phase of things counts. Companies that just yell out a low price today to win business aren't going to make money in the long term.
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As your career grows, the list of things that makes you happy should not become smaller, it should become bigger.
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If there is on earth a house with many mansions, it is the house of words.
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The only big things I've purchased are my dad's heart valve and a Rolls-Royce for my parents, for their anniversary. And that was only because my dad had a Lady Gaga license plate on our old car and it was making me crazy because he was getting followed everywhere, so I bought him a new car.
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As a Jew I cannot sit idle while genocidal atrocities continue to unfold in Darfur, Sudan.
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My own personal aesthetic is all to do with real actors and real locations and a kind of almost hyper reality and actuality to things. But the digital world, I explore that through other mediums, with music videos and commercials. Even 'The Road' was a real learning curve for me with digital effects.
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Non...I am DANCING IN MY NUDDY-PANTS!!!' And we both laughed like loons on loon tablets. I danced for ages round the house in my nuddy-pants. Also, I did this brilliant thing-I danced in the front window just for a second whilst Mr. Across the Road was drawing his curtains. He will never be sure if he saw a mirage or not. That is the kind of person I am. Not really the kind of person who goes and raises elks in Whakatane.
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I dream of land, cut only where streams glistened with birdsong wander through quiet hills burnt hard by the scrape of wind, and of a porch from which a single road leads only homeward.
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Mysteries always have the potential for interesting connections between the elements. I'm also most interested in the relationship between the characters. As in 'Masterpiece,' I'm trying to create characters who not only are solving a mystery but are solving the riddle of their own personal relationships.
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'This Old Road' somehow seems to get better the older you get.
