Kris Kristofferson Quotes
I never was one to go into an office and write. For one thing, I had a job. I was cleaning the ashtrays and setting up the studios at Columbia for a couple of years and working every other week down in the Gulf of Mexico flying helicopters. I didn't really get to just write songs for about five years.
Quotes to Explore
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The conclusion that I have come to is that actually, no religion, whether it's Islam, Christianity or any idea based on scripture or texts, is a religion of 'anything,' really.
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I have no faith in human perfectability. I think that human exertion will have no appreciable effect upon humanity. Man is now only more active - not more happy - nor more wise, than he was 6000 years ago.
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I am forced to say that I have many fiercer critics than myself.
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It was my mother's idea. Her feeling was that I didn't have the intelligence to pick a trade myself.
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I believe it is universally understood and acknowledged that all men will ever act correctly, unless they have a motive to do otherwise.
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Things were easier for the old novelists who saw people all of a piece. Speaking generally, their heroes were good through and through, their villains wholly bad.
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Both my parents are immigrants. I've seen different struggles they've had. There's a reason you don't see me using accents. I don't do impressions of my folks. When I'm doing a crappy impression of my folks, and you're laughing, I'm thinking, 'When my parents talk to people, when they walk away do people do impressions of them? Do they laugh?'
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It takes a clever man to turn cynic and a wise man to be clever enough not to.
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Men and nations behave wisely once they have exhausted all the other alternatives.
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I have moved to a smaller house in Paris, and I don't fancy having so much staff now.
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Life started getting good when I started making money.
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I like listening to music and driving. How do you say... It's the only way I can 'chillax.'
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When I was born, some of our relatives came to our house and told my mother, 'Don't worry, next time you will have a son.'
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In the early '90s, I was hired to write educational dramas about HIV and AIDS in the shantytowns. I did that for two and a half years, and then I was hired on other films. When 'Tsotsi' presented itself, I thought, 'This is not a world I grew up in, but I've spent a great deal of time writing about it and researching it in my past.'
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Being an actor is a good way to earn a living. And to meet fabulous people. It's great to live very comfortably. I've been lucky, I've had a lot of fun with great roles, but it is true that if I were extremely rich, I would stop and I would go to play football on a beach in the Caribbean with my children.
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If you look at Indian movies, every time they wanted an exotic locale, they would have a dance number in Kashmir. Kashmir was India's fairyland. Indians went there because in a hot country you go to a cold place. People would be entranced by the sight of snow.
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I am not trying to be a historian and a dramatist; I'm a dramatist, a dramatic historian, or one who does a dramatic interpretation of history.
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Time is important to me because I want to sing long enough to leave a message. I'm used to singing in churches where nobody would dare stop me until the Lord arrives!
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My house borders horse farms, and I can look out my window and see the horses and the new colts. It's really peaceful.
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Every time I write a book, I've probably taken five years off my life.
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Investors are always biased to invest in things they themselves understand. So venture capitalists like Uber because they like driving in black town cars. They don't like Airbnb because they like staying in five-star hotels, not sleeping on people's couches.
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Basins of attraction, of self organization, show up as well in our complex social environment, in human organizations. Here again, while we cannot predict the result of any given input, we can say that it will likely fall within one of several areas.
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I never was one to go into an office and write. For one thing, I had a job. I was cleaning the ashtrays and setting up the studios at Columbia for a couple of years and working every other week down in the Gulf of Mexico flying helicopters. I didn't really get to just write songs for about five years.
