David Hallberg Quotes
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I think I'm the same dancer everywhere. But I've learned a lot with Bolshoi - the history of the theater, the technique of the theater, different nuances in my technique.
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Every company has its style, and that's what makes the Bolshoi so impressive: their attack on jumps or their attack on choreography.
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I love the dancers in the Bolshoi, but all of my Moscow friends are outside the company. A friend introduced me to Vika Gazinskaya, a well-known Russian designer. I met her group. The rest is history.
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With Bolshoi technique, the movements are quite large, the jumps are big, and I'm a tall dancer, so I've learned to use my height more, to elongate my moves, jumps and positions. I'm physically using my body more to my advantage.
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Certainly, when you train as a classical dancer, you are very much influenced by 'Giselle.' You see it all the time; you start to learn the steps a little.
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Having done so many versions, I never felt like an artist in 'Swan Lake.'
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I sew my own shoes. Other male dancers don't, but I like it one way, and I've learned to do it that way.