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Every company has its style, and that's what makes the Bolshoi so impressive: their attack on jumps or their attack on choreography.
David Hallberg -
I love the dancers in the Bolshoi, but all of my Moscow friends are outside the company. A friend introduced me to Vika Gazinskaya, a well-known Russian designer. I met her group. The rest is history.
David Hallberg
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Having done so many versions, I never felt like an artist in 'Swan Lake.'
David Hallberg -
I've always questioned the way dancers, myself included, must do the same role year in and year out. It's important for me to be able to say to myself, 'O.K., I don't want to be a prince anymore. I want to put on a leather jockstrap and pose.'
David Hallberg -
With Bolshoi technique, the movements are quite large, the jumps are big, and I'm a tall dancer, so I've learned to use my height more, to elongate my moves, jumps and positions. I'm physically using my body more to my advantage.
David Hallberg -
I sew my own shoes. Other male dancers don't, but I like it one way, and I've learned to do it that way.
David Hallberg -
Certainly, when you train as a classical dancer, you are very much influenced by 'Giselle.' You see it all the time; you start to learn the steps a little.
David Hallberg