Mark V. Hurd Quotes
My objective with strategy is to be very repetitive, to be somewhat boring, to allow people to coalesce behind a common direction.
Quotes to Explore
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I don't have any message in the music. Music will be fine as long as you take care of yourself.
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The ghastly thing about being a producer is that, once the curtain goes up, there is nothing you can do. At least when you are in it, you have some measure of control. If something goes wrong, you can maybe put it right. When you are in the audience, there is nothing you can do.
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I'm Cuban, so I know a lot of people who act like vampires. But wait, vampires have to be invited to your house, so maybe they are nothing like Latinos!
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I always tell people I went to the Harvard School of Comedy in front of America.
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I hear odd tracks from my albums every now and again on the radio, or maybe a friend plays me something.
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I did some theater as a kid for fun. But it was really by chance that I landed into acting.
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Every time I write a new novel about something sombre and sobering and terrible I think, 'oh Lord, they're not going to want to go here'. But they do. Readers of fiction read, I think, for a deeper embrace of the world, of reality. And that's brave.
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But, unfortunately, sometimes that affirmation creates a sense that you deserve special treatment and recognition in areas where you're not so talented.
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I've concentrated for a long time on English films because I've got two kids but my oldest son is 11 and I think I'm going to be away for about four months of year now.
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It's nice for me to be in touch with a younger generation.
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I'd love to be a 'Bond' girl.
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I don't think of reflection on dark things as necessarily dark.
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There was a long time where I was an 'artist' in quotes, who had no money. But I guess back then I also never had a girlfriend.
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I'll put the Packers' best players on defense. It's best for a team and good for its morale.
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Online hierarchies are inherently dynamic. The moment someone stops adding value to the community, his influence starts to wane.
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After six years at Le Cirque, I decided to start my own business. I opened Daniel at 76th Street in May '93.
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Mulberry Street was the beating heart of the Italian-American experience, but you don't find those gangsters now. I live with a bunch of yuppies and models.
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I mean, the problem is, I think I'm a great writer.
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The hardest thing for - not only an artist but for anybody to do is look themselves in the mirror and acknowledge, you know, their own flaws and fears and imperfections and put them out there in the open for people to relate to it.
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All I write about is what's happened to me and to people I know, and the better I know them, the more likely they are to be written about.
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I think the rebuilding of the city has to start with the spirit first. So the music, the vibe, the connection spiritually with the artists. Everybody out here is the main key. A lot of people are still in a lot of tough situations. My heart still goes out to the people of New Orleans.
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The first time I got locked up, I was in Walmart stealing BB guns.
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How sternly we reproach virtue for its failings, how indulgent we are to the better qualities of vice!
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My objective with strategy is to be very repetitive, to be somewhat boring, to allow people to coalesce behind a common direction.
