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I have to do popcorn for movies. I can do more important things for television. You're going down when you're making a movie, not going up.
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There's a fine line between patriotism and corn.
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Relax! Life is beautiful!
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Sometimes if you tell me what a story is about in just a few sentences, I can tell you if it's going to be a success.
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I've asked every grammar schoolteacher in the nation to have their students write on the meaning of the Statue of Liberty. Wouldn't it be wonderful if the winning kid got up to the microphone and, in front of the world, had to dig into a pocket to pull out a crumpled sheet of paper containing the words that would move us all?
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I can possibly say I have entertained and educated more people than anyone else in the world.
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Why is it that if you hit a shot to within a tenth of an inch of the hole, it's a great shot, but if it goes in, it's luck?
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I was the first independent to walk in with a documentary.
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My definition of a producer is 'the man with the dream.'
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My philosophy as a filmmaker is to inform and entertain at the same time. And when I went away from documentaries into miniseries like 'Roots,' I did the reverse. Instead of just entertaining, I want to inform at the same time.
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Continuity is a wonderful thing, and it is a very rare thing in show business.
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When they did the Olympics in Seoul - or elsewhere - didn't each host country try to show its greatness to the world viewing audience?
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I don't call four hours a miniseries.
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My main contribution has been that I have educated and entertained people at the same time.
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I make it happen. Who bought Alex Haley's book 'Roots' for TV? Me. I hired the director, hired the writer. I put them all together. I'm like the chef. If I mix all the ingredients right, it's going to taste terrific. If I don't, it's not going to come out good.
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'Roots' did show that the audience would be receptive to black talent and a black story.